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...such a man have with himself? Long before he turned to psychology--which was not until his twenties--he kept careful diaries of interesting occurrences. He hoped to be a writer then and composed poems and short stories by the notebook. Wittingly or not, almost all had a common protagonist--himself. Skinner was preoccupied with himself throughout his youth, but only as an alien object, a specimen. (In his first experiment with behavior modification, he invented a Rube Goldberg contraption to raise a "Hang Your Pajamas" sign in his doorway when he stepped...

Author: By Roger M. Klein, | Title: Totem and Taboo | 3/19/1976 | See Source »

...protagonist, Peter (Ralph Martin), has been a cook for three years. He is an immigrant, like most of his co-workers, and you could guess Germany produced him even without the accent. His seemingly innate idealism has been reduced to a stump by the kitchen which he has turned into an abstraction: he is content to push people around, with a fleeting, hysterical grin on his face, asking for dreams that he himself cannot deliver. "Games are for imagining new things, new ways to be," he pants while stacking boxes into an arch. "My group, we used to build things...

Author: By Anemona Hartocollis, | Title: Can't Stand the Heat | 3/16/1976 | See Source »

PAPAGENO the bird-catcher was clearly Bergman's favorite character, and his comic part has been so embellished that he could almost be taken for the drama's protagonist. His innocent lust for talk, food, sex, and a wife get him into all kinds of trouble; all he really wants is a woman, and he often gazes warmly into the audience, begging someone out there to be his mate and threatening suicide when no one complies. As Taminos's companion he is given a chance to endure the Trials, but he has neither the courage nor the reticence to keep...

Author: By Kathy Holub, | Title: The Magic of Two Masters | 1/16/1976 | See Source »

...force Miss Lonelyhearts to become immersed in his. Originally a means of advancing his career and increasing his paper's circulation, the column he writes serves finally as a conduit for personal tragedy; awakened to a vain search for an antidote to life's cruelty. Nathaniel West's tormented protagonist inevitably discovers that he too is "a victim of the joke, not its perpetrator...

Author: By Julia M. Klein, | Title: Soft Steel and Sour Milk | 12/4/1975 | See Source »

West's novella takes the form of a starkly concentrated interior monologue by the Miss Lonelyhearts figure; other characters are present mostly insofar as they impinge on the protagonist's morbid self-consciousness. In dramatizing Miss Lonelyhearts, Howard Teichmann necessarily invented much new dialogue, some of which functions to round out the motivations of the subordinate characters...

Author: By Julia M. Klein, | Title: Soft Steel and Sour Milk | 12/4/1975 | See Source »

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