Word: programming
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Dates: during 1940-1940
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Just as aggressive was the Party platform which promised to: oppose all war loans and credits to the warring imperialist powers; stop the sale and shipment of munitions and armaments to the belligerents; resist the militarization and armaments program of the Administration and Congress...
...seven weeks the Allies had been balked by a tall, lithe athlete of 49, whose starving troops call him "The Bull." Olympic athletes of 1936 remember him, Lieut. General Eduard Dietl, as organizer of the winter sports program at Garmisch-Partenkirchen. His division of mountain troops, which he trained himself and led, as he did all things, with fierce personal daring through the Carpathians in last autumn's Polish campaign, was bottled up when British destroyers and the battleship Warspite blasted into Narvik on April 12. Steely and aquiline, Bull Dietl is said to have gone aloft...
...harried British troops scurried back across the Channel last week, leaving the Nazis in sight of the chalk cliffs of Dover, Britons all over the far-flung Empire looked anxiously to their arms. No exceptions, Canadians from the Yukon to the St. Lawrence eyed their slow-moving war-expansion program askance, clamored vociferously for action, still more action...
Louisiana Purchase (music & lyrics by Irving Berlin; produced by B. G. De Sylva) was the first show in at least three years to charge $8.80 on opening night. In return it offered a rich program:, Irving Berlin music, a Morrie Ryskind book, Balanchine ballets, such headliners as Vera Zorina, Victor Moore, Billy Gaxton, Irene Bordoni. Good they all were, but at $7.70 or even $6.60 their efforts would not have come under the head of sweated labor...
...plump, perspiring Negro preacher named Glenn T. Settle, trailing 19 dusky members of his Gethsemane Baptist Church, marched into Cleveland's station WGAR and asked permission to sing a few spirituals. The Rev. Settle and his flock were only fair. But to Spiritual-Fancier Worth Kramer, young white program director of WGAR, the colored choir presented a chance to try his hand at arranging Negro music. Adding 16 voices to Settle's original 19, he drummed his arrangements into the musically illiterate group by rote, drilled them for weeks before he put them on the air. Their success...