Word: programing
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Dates: during 1960-1969
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Brought to Harvard after rebuilding the basketball program at Kenyon College in Ohio, Harrison has been drilling the team hard almost since the beginning of the school year...
...course this is not the rationale usually offered for refusing student participation. Usually administrators' reasons are vague and unreal. Dean Von Stade has said, "Student participation just wouldn't be the same if it were institutionalized." Edward T. Wilcox, Director of The Program of General Education, has explained it more simply, "It's just out of the question, that's all." Dean Glimp just shrugs and says, "It's the principle of the thing. I guess we just see things a different way." Dean Watson has answered the question by saying, "Look, if students don't like this place, they...
...same thing for anyone who went to the taping of the Crimson's appearance with the Yalie Daily on College Bowl and then watched the program the next day. What flashed by on the television screen was a competitive event in which points and camera exposure were gained by making prescribed responses to specified stimuli. For those in the studio the situation also had an us-against-them tenor, but our opponents were not the so-called Daily News team. The real enemies were the show's producers, the television functionaries who might better be called the Emotion Control Meanies...
...upper balcony) and proceeded to good performances of Holst's delightful Blacksmith Song and Dowland's beautiful Come Again, Sweet Love. Their part closed with a stupendously tedious arrangement by Fenno Heath of Donne's Death Be Not Proud. The Harvard Glee Club performed a less interesting program except for a mildly "modern" work by Thomas Beveridge. The Harvard group had a darker sound than Yale, better dynamic control, weaker top tenors, better phrasing, and better comic relief in the form of an accompanist who agonizingly wrenched childishly simple parts from his ill-starred piano. A final comparison is impossible...