Word: programer
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Dates: during 1980-1980
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...also sponsors artists in residence and commissions for mural-painting, neighborhood workshops, exhibits, and performances. The Permanent Art Program includes the Arts on the Line project which incorporates artwork of all kinds into the Red Line extension, and "parklet" art, such as the Michio Ihara wind sculpture in Central Square and a chime fence to be installed in front of City Hall later this month...
...currently looking for funds to continue giving grants to local artists and groups; past recipients have included the summer Articulture program (similar to Boston's Summerthing), the Loon and Heron children's theatre, the Mudflat Pottery workshops for senior citizens, and the Art of Black Dance and Music company's classes for young people...
...opportunity Vickery has no intention of letting pass. Most cities the size of Cambridge make only token planning efforts. Vickery has 50 full-time employees on his staff, and lately most have been at work on an ambitious development program, aimed at the Alewife and Simplex areas and East Cambridge. "We are setting a policy for the city; we are telling businessmen, 'We want you to expand.'" Vickery says. "To know the city is willing to pay for streets, for drains, for curbs--that's a big thing for a company...
Exuberantly conducted by Mehta, 90 of the orchestra's usual 106 musicians -all that would fit on the church stage -played an expansive, brassy program well suited to the occasion. To show off the 125-voice chorus (65 from the church's own choir, the rest from other Harlem groups), there were several selections from Handel's Messiah, two of them featuring Tenor Seth McCoy. To give the church's five-manual, 4,000-pipe organ a workout, Organist Leonard Raver and the orchestra galloped through the finale of Saint-Saëns' Symphony...
...Forza del Destino and He's Got the Whole World in His Hands. Price knew her audience, and knew it was not to be patronized. Announcing her encore, Vissi d'arte from Puccini's Tosca, she was engulfed by cheers of recognition. The program then moved from Tosca to toe-tapping, as Gospel Superstar Betty Perkins swept onstage and picked up a microphone. The Philharmonic percussion section laid down a heavy beat, and Perkins brought the evening to a bluesy, rousing finale with three gospel songs by Joe K. Westmoreland...