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...Americans” hailed from Louisiana, Haiti, Kentucky, encompassing crack Irish-American units, freed slaves, and wary Native Americans. Orders were translated into Spanish, French, and Choctaw. The diverse internationalism of such a scene must have particularly piqued the interest of Howe, Harvard graduate and Professor Emeritus of both Oxford and UCLA, who once dreamed of ancient overseas battles as a young boy growing up in Denver. “I got interested in history when I was about six years old and my father sat me on his lap and told me about Hannibal crossing the Alps with elephants...

Author: By Mark J. Chiusano, CRIMSON STAFF WRITER | Title: Daniel Walker Howe | 6/1/2009 | See Source »

...Jeremiah P. Ostriker ’59 walked from Matthews Hall to the Freshman Union for breakfast, he would sprinkle radish seeds alongside the pathways of Harvard Yard. His freshman year roommate Ethan D. Bolker ’59 said that Ostriker—now a Princeton professor and noted astrophysicist—was curious to see if the plants would grow. Sure enough, when the grass began to blossom in the spring of 1956, it was dotted with radishes. “He’s always had a sense of humor about him,” said...

Author: By Lauren D. Kiel, CRIMSON STAFF WRITER | Title: Jeremiah P. Ostriker | 6/1/2009 | See Source »

...Loeb Drama Center and the Carpenter Center stemmed from an administrative push to increase the presence of the arts on the Harvard Campus. “At the time, Harvard did not have much for actual, working, creative activity,” said Eduard F. Sekler, Osgood Hooker Professor of Visual Art, Emeritus and former co-director of the Carpenter Center...

Author: By Madeleine M. Schwartz, CRIMSON STAFF WRITER | Title: Making Room for Art | 6/1/2009 | See Source »

...academics could teach by showing, Sekler described. “It’s the kind of studio space that any creative person can walk into and mess up the canvas and try things,” said Yoshiaki Shimizu ’63, now an art history professor at Princeton University. There was room to fool around. “The Carpenter Center,” said Szanton, “is 40 times the size of our two little rooms in Dudley House...

Author: By Madeleine M. Schwartz, CRIMSON STAFF WRITER | Title: Making Room for Art | 6/1/2009 | See Source »

...would lead to control and the marginalization of student directed shows. On the other hand, after working in Agassiz, who would not want a chance at those facilities that the Loeb offered?” said Julius L. Novick ’60, a long-time theater critic and Professor of Dramatic Studies...

Author: By Madeleine M. Schwartz, CRIMSON STAFF WRITER | Title: Making Room for Art | 6/1/2009 | See Source »

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