Word: problem
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...Blog). Now, with Dollhouse (Fox, Fridays, 9 p.m. E.T.), he tries dystopian sci-fi. Echo is not a slave, technically; she goes to the Dollhouse after having run into unspecified trouble as an idealistic college grad named Caroline. The deal: if she becomes an active, the company makes her problem go away--along with all her memories. The threads running through this ambitious serial: Who was she? And what...
...problem, because Whedon has set a challenging goal. Whereas his past series had ready-made good-vs.-evil setups, Dollhouse is morally nebulous. Sometimes we're rooting for Ballard to bust the Dollhouse, sometimes we're rooting for Echo's handlers and protectors in the organization that pimps her out. (Harry Lennix is sympathetic as her conflicted bodyguard, and Fran Kranz amusingly skeevy as the in-house tech geek.) Pulling this off means getting the audience to connect with a lead who is not, in the usual sense, a person, which may be more than Echo--or Dushku--can manage...
...Another problem is land invasions by local farmers who chop down cacao to plant faster-yielding banana trees. "They destroy the forest forever," Rosenberg complains, pointing to a hole in one of his plantation's barbed-wire fences. Jorge Redmond, president of Chocolates El Rey, a Venezuelan company that has been processing premium cacao since 1929, says El Rey saw almost 865 acres (350 hectares) decimated recently when 40 families invaded. "A 10-year effort was destroyed in days," he says. "We were able to produce one batch of San Joaquin Private Reserve chocolate before this happened, but we will...
...argues, because this provides them with a comforting myth that helps present the history of the United States as simply the progress of liberty and democracy. The Civil War won’t go away, because it shines a light on America that can be troubling, but this problem must be reconciled and not ignored, he writes...
...However, the album version veers too far into experimental, uncharted territory for Franz Ferdinand. Instead of the straightforward dance-rock, they substitute the catchy choruses for musing, fuzzy electro-noodlings. The first half of the album is much better than the second. The second half’s main problem lies in some of the songs’ repetitiveness and slow pace. One would wish the band had been able to come up with tunes worth humming. The chilled out ending of“Lucid Dreams” slows the album down; it never recovers. The next song...