Word: print
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Dates: during 1910-1919
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Hereafter, the CRIMSON will print no more communications of a pacifistic nature. If there are any members of the University so blind or cowardly in spirit as to clamor for neutrality when all hope of neutrality is dead, they should commune with themselves in private and find reflection in the definition of traitors as those. ". . . adhering to their enemies, giving them aid and comfort...
...CRIMSON can look forward to the threatening censorship of the daily press with considerable equanimity. While the slash of blue pencil and daub of India ink will make the pages of the Boston newspapers unreadable, the CRIMSON will still be able to print the news so that it will be clear and unmistakable to the undergraduate. Words with such deep military significance as "Crimson," "grades" and "deturs" will, of course, have to be omitted. Announcements in the courses on perspective, gas analysis, theory of design, class Martial, the canon (and fugue) and Bacon will no longer appear in the notice...
...sent out in order to obtain this information. Besides asking for specific facts, these letters request detailed accounts of the men's experiences and of the work accomplished. This information together with any portraits of the men, original letters to friends, photographs illustrating their work, and whatever appears in print describing their experiences will be filed in permanent form or put in bound volumes and preserved in the Widener Library...
...copy of the successful essay will be given to the Law Library immediately upon the award, and the Harvard Law Review may print the essay if it desires...
...temporary loans: From a friend of the Museum, two bronzes by Paul Manship, "Centaur and Nymph" and "Dancer and Gazelies"; also an oil painting by James McNeill Whistler, "Symphony in blue and silver--Trouville." From J. Pierpont Morgan '89, 26 original drawings by Rembrandt, now on view in the Print Room. From Messrs. Duveen Bros., of New York City, a "Madonna and Child," by Matteo da Siena, and a "Madonna Adoring the Child," by Piero di Cosimo, on exhibition in the gallery. From Mortimer L. Schiff, the Cogswell collection of original drawings by old masters...