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...their aesthetic value and arranged chronologically to trace artistic developments, and artifacts, grouped by civilization and serving as generic representatives of a particular culture. Not surprisingly, the objects designated art tended to be Western, while those classified as artifacts tended to be from so-called “primitive?? cultures such as Native American, sub-Saharan African, and Pacific Island. Following this current of thought, the Peabody was founded in 1866, displaying its collections as instruments for social scientific inquiry rather than aesthetic contemplation...

Author: By Alexandra perloff-giles, CRIMSON STAFF WRITER | Title: Artifacts Take Their Rightful Place as Art | 3/30/2010 | See Source »

...Forrest Kelly notes of “The Rite of Spring.” “The cultural context of Paris in 1913, the context of the Russian Ballet, the context of the ballet within the program of the evening…It was deliberately ‘primitive?? and ethnographic, and Diaghilev hoped it would shock. The Rite was positioned for a riot.”Perhaps most relevant to the “ingénue” America was Diaghilev’s fateful acquisition of a new, young choreographer named George Balanchine...

Author: By Erica A. Sheftman, CONTRIBUTING WRITER | Title: Harvard Celebrates Centennial of the Ballet Russes | 4/10/2009 | See Source »

...intimidating decor of Sanders Theatre. Every digression or anecdote evoked a strange and enigmatic vision of the man and the movement he symbolizes. The strain of music that Kottke helped make famous—a hybrid of blues, folk, country, and bluegrass traditions known as “American Primitive??—was pioneered by John Fahey, an eccentric and reclusive guitar composer. Fahey’s prolific and varied catalog—including “Blind Joe Death,” “The Yellow Princess,” and “Fare...

Author: By Ryan J. Meehan, CRIMSON STAFF WRITER | Title: Rediscovering the Lasting Appeal of American Primitive Music | 11/7/2008 | See Source »

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