Word: primal
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Dates: during 1970-1979
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Freund's companion. Thomas g. Corcoran, told Holmes that he was "the primal flame to which we come to light our torches." The justice replied. "There may once have been a little spark, but now all is ashes." Freund remembered a "deathly silence" falling afterwards...
...guts, no drawing, no life: nothing but wind and delusion. Benton made no bones about his idea that nearly everything in art since the Fauves had been rubbish at best, and at worst the fruit (so to speak) of a homosexual conspiracy to rob the U.S. of its primal manly culture. The American museum, he grumbled, was "a graveyard run by a pretty boy with a curving wrist and a swing in his gait." Modern art was unintelligible to the people. Yet, in the end, one wonders if the tribunal to which Benton submitted his work and attitudes...
...attempted to fuse the zany family comedy of You Can't Take It with You with the door-slamming wackiness of Feydeau's geometrically composed bedroom-chases-cum-orgies. Unfortunately, Schisgal's characters are as charmless as unthreaded spools, and he has yet to learn the primal lesson of the Feydeau farce: comic tension depends on who is hiding behind the door rather than who breezes casually through...
...elusive opera in some ways. The setting is a Moravian village, and the composer knew its inhabitants with detachment and compassion. He creates no heroes, but a world of people working, flirting, taking naps, worrying about saving face or avoiding the draft. The plot, however, concerns deadly primal emotions: love, jealousy and ambition. Jenufa is pregnant by števa, a wastrel who chases every girl in town. Jenufa still hopes to catch him, but her world is invisibly rimmed by two figures far more powerful than she and her faithless swain. One is a poor man named Laca, who loves...
...Times, Pinter reshapes the archetypes central to his work. In different ways, Deeley and Kate each fight to maintain their huddled numbness against incursions from the outside world, from the past, from the primal depths of their own subconscious. The catalyst of the conflict is Ann, Kate's companion of twenty years before. Anna brings a history heavy with menace, to upset the poor balance that Deeley and Kate had achieved through silence, and pierce their protective anaesthesia. Characteristically, Pinter leaves the true nature of the past events clouded in uncertainty--he himself does not claim to know exactly what...