Word: predecessor
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Dates: during 1950-1959
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...ranging from $3 billion to $10 billion. It came from such disparate persons as Harry Truman and Herbert Hoover, such political opposites as Americans for Democratic Action and the National Association of Manufacturers, included some members of the Administration's own family. Arthur Burns, Saulnier's predecessor, called for "massive Government intervention" in the economy through both tax cuts and public works. The auto industry asked repeal of the 10% excise tax on autos. Others suggested huge WPA-style public-works programs, greatly increased Government spending. Such plans would have meant not only the loss of billions...
...what a U.S. chief delegate to the U.N. has to do: think fast, speak fluently, argue persuasively, and be charming. Cabot Lodge seemed just the man. To (give Lodge extra prestige and a voice in the policymaking, Ike made him a "personal member" of his Cabinet (Lodge's predecessor, Vermont's ex-Senator Warren Austin, had no Cabinet status). As a favor to Lodge, Ike let him name the deputy U.N. delegate. Lodge unhesitatingly picked shrewd, amiable James J. Wadsworth, then acting Civil Defense administrator. A boyhood friend of Cabot Lodge, Wadsworth, 53, is still his deputy...
Mary Fraley Johnson played the Sonata for Violoncello Solo, Opus 25, No. 3, in her usual dramatic and vehement manner. This piece is some-what similar to its predecessor from the same opus, but was not nearly so dissonant. It did, however, accentuate the same tonal richness...
...theatrics over music has enabled 32-year-old Composer Floyd to write one of the most dramatic of contemporary operas-Susannah (TIME, Oct. 8, 1956). Last week the Santa Fe (N.Mex.) Opera premiered Floyd's latest work. Musically, Wuthering Heights was at least as good as its distinguished predecessor, but Librettist Floyd was not quite up to the job Composer Floyd had set for himself...
Rathbone is highly effective in the second play, if not quite up to Eric Port-man, who was his Broadway predecessor. He is not yet so much at home in the first play. He is habitually cool, clean, clipped and polished; and it is clearly an effort for him to be awkward, slovenly, and impetuous...