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...weeks before their departure, they had been forced to stand in long queues at government offices, where they had to submit detailed inventories of their entire holdings. After Libyan authorities were convinced that the lists were accurate, they confiscated all the properties without so much as a single Libyan pound in compensation. Then the Italians were given exit visas and allowed to take with them only the personal belongings they could pack into suitcases and trunks...

Author: /time Magazine | Title: Libya: Celebrating Xenophobia | 9/7/1970 | See Source »

...painting was not art but craft, and his murals were the common man's answer to the costly, imported French wallpapers that adorned fashionable American homes. Characteristically, Porter shared the secret of his paint-mixing techniques with the public by publishing instructions and recipe booklets: "Dissolve half a pound of glue in a gallon of water, and with this sizing mix whatever colors may be required for the work." Foliage could be stippled on with corks and sponges; bark was suggested by "giving a tremulous motion to the brush...

Author: /time Magazine | Title: Art: A Yankee Da Vinci | 9/7/1970 | See Source »

...example, is offering $200 a ton for discarded aluminum cans in the Los Angeles and Miami areas, and the Glass Container Manufacturers Institute, which represents most of the country's major glassmakers, has launched a nationwide campaign to buy back discarded bottles at a penny a pound...

Author: /time Magazine | Title: Environment: Bowie Bans the Bottle | 8/24/1970 | See Source »

...Partially paralyzed by a childhood illness, he relied on friends to row him out into the harbor where he could sketch and paint, seeking to grasp the precise feeling of the time of day and the weather in New England. An 1848 harbor scene, The Fort and Ten Pound Island, Gloucester, typifies Lane's airy style. The exactitude of his portrayal of the bustling seaport-the clutter of logs, cut boards and barrels surrounding workmen on the quays-is set off by a serene panorama of sailing vessels in the background...

Author: /time Magazine | Title: Art: The Elusive Ocean | 8/24/1970 | See Source »

Ortolans and Failure. For the next 2½ years it was girls, flasks and sis-boom-bah. But the public image concealed an all-night reader who forged through Flaubert, Rimbaud, Joyce, Proust, Eliot, Pound, Cummings, Stein, Hemingway. In the fall of 1926, with a wad in his wallet and a life of leisure in view, he changed his name to Nathanael West and sailed off to Paris to join the Lost Generation. It was going to be ortolans all the way. But that winter the family fortune showed signs of imminent collapse. Early in 1927, West found himself working...

Author: /time Magazine | Title: Books: A Great Despiser | 8/17/1970 | See Source »

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