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...light of Caravaggio, Gentileschi's master. And in a small back gallery on the first floor of the museum the Heinz Gotze Exhibit of Japanese Art exemplifies the peculiarly Oriental process of passing from the seen to the unseen. The paintings and calligraphy make a pictorial poetry which Ezra Pound described as "the ideal language of the world...

Author: By Eleni Constantine, | Title: Galleries | 5/6/1976 | See Source »

Evidently, many people now find poetry easier to write than to read. The demolitions of old poetic constraints-inaugurated by such elitists as T.S. Eliot and Ezra Pound-have allowed just about any flyspecked page to masquerade as divine afflatus. "Poetry," Pound insisted, "must be as well written as prose," but he did not reckon on the grunts, snorts and limping non sequiturs that his epigones would later commit to paper under the banner...

Author: /time Magazine | Title: Books: American Poetry: School's Out | 4/26/1976 | See Source »

...egotism and vanity involved with anorexia is unbelievable," she says. "You spend hours a day examining yourself, looking at your body. Gaining one pound is a big thing." Unlike most anorexics, who deny there is anything wrong with them, she wants to talk about the strange disease she has for five years. But she doesn't want people to know...

Author: By Mary B. Ridge, | Title: ANOREXIA NERVOSA | 4/21/1976 | See Source »

...ENORMOUS as one supposed ... Haystack Calhoun, the ever-popular 601-pounder from Four Corners, Arkansas, may be able to break four inch thick planks with his "Big Splash" submission hold, but he is no match for Johnny Alee, the 1132 pound man who fell through the floor of his North Carolina log cabin one hundred years ago. Nor can he compare to El Topicon, the Brazilian wrestler who is reputed to weigh an incredible fifteen hundred pounds, who is so enormous that he can engulf a two hundred pound opponent in his rolls...

Author: By Nick Eberstadt, | Title: Some Notes on Big-Time Wrestling | 4/15/1976 | See Source »

...Pound for pound, of course, the midget wrestlers are the strongest and most proficient in the business. It would be a fruitless intellectual exercise to speculate about which of these spunky little fellows could outdistance a normal human in a physical competition. Sky Lo Lo, Little Brutus, The Jamaican Kid, and a dozen others are arm wrestling champs in their own home districts. Others, less proficient in their sport, have had to humble themselves in the off-season by working on circus side shows, collecting disability insurance (achondroplasm, legally, is a disability), or working in the kind of factories whose...

Author: By Nick Eberstadt, | Title: Some Notes on Big-Time Wrestling | 4/15/1976 | See Source »

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