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Word: postmodern (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
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Usage:

...Breed of horror films was postmodern and self-mocking," says David Koepp, director and screenwriter of the ghostly Stir of Echoes. "The new New Breed movies aim a bit higher in the hierarchy of horror." Koepp's film, to open in September, stars Kevin Bacon as a blue-collar guy haunted by intimations of a distressed, deceased soul somewhere in his house. Says Koepp: "I tried creating a sense of total reality, because the movies that always scared the hell out of me were set in real, almost mundane domestic situations." In these restless residences and bucolic settings, fear...

Author: /time Magazine | Title: Cinema: There's Something About Scary | 7/12/1999 | See Source »

With hope and a dash of contrarian good sense, this writer recently revisited the world of daytime soap opera, reasoning that like so much else in our postmodern culture--Las Vegas, fondue, Rob Lowe--afternoon dramas might have transitioned into hip. Little research was needed to prove this theory false. Sets still seem to draw their inspiration from the simulated Americana of a Holiday Inn lobby in Colonial Williamsburg. And on almost any given day, the chance of making it through the afternoon without hearing someone say, "I don't need any DNA test to prove that...

Author: /time Magazine | Title: Television: Love, Money, Witches And Beach Grass | 7/12/1999 | See Source »

...more vicariously gratifying than Che's disdain for material comfort and everyday desires. One might suggest that it is Che's distance, the apparent impossibility of duplicating his life anymore, that makes him so attractive. And is not Che, with his hippie hair and wispy revolutionary beard, the perfect postmodern conduit to the nonconformist, seditious '60s, that disruptive past confined to gesture and fashion? Is it conceivable that one of the only two Latin Americans to make it onto Time's 100 most important figures of the century can be comfortably transmogrified into a symbol of rebellion precisely because...

Author: /time Magazine | Title: CHE GUEVARA: The Guerrilla | 6/14/1999 | See Source »

When it comes to more socially accepted sexual relations, Wallace cautiously leans toward nurture rather than nature. "Today's postfeminist era," he writes, "is also today's postmodern era, in which supposedly everybody now knows everything about what's really going on underneath all the semiotic codes and cultural conventions...and so we're all as individuals held to be far more responsible for our sexuality." It sounds good on paper. But on the evidence in this strikingly original collection, it won't work between the sheets...

Author: /time Magazine | Title: Books: Sex, Lies and Semiotics | 5/31/1999 | See Source »

...invisible." He's right, of course, and his own ironic take sometimes makes him seem so arch you could almost drive through him. But it is nonetheless a joy to watch him at work, ricocheting off everything putrid and tinny in our culture. Whatever you call the thing after postmodern, Turn of the Century is it--something post-postmodern, a commentary on commentary. That may not make much of a novel, but it sure is fun to read...

Author: /time Magazine | Title: Books: Isn't It Post-Ironic? | 5/17/1999 | See Source »

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