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...latest stratagem employed by the Harvard Dramatic Club to advertise their production of "'Tis Pity She's a Whore" is a poster displaying Gothic arches. The arches lend an Elizabethan atmosphere and at the same time utilize perspective such that the word "whore" is barely visible to casual passers-by. If they could do it, the HDC would like to do away with this world altogether, since it has delayed printing orders, cancelled window displays, and prompted the hasty removal of posters from utility poles around the Square...

Author: NO WRITER ATTRIBUTED | Title: 'Tis Indeed... | 11/30/1957 | See Source »

...truth seemed to be that the Socialists themselves did not quite know. Erich Ollenhauer was flying about Germany in a rented, five-seater yellow Cessna, accompanied by his plump wife Martha and a pressagent. Socialist campaign slogans consisted for the most part of scare posters designed to show that Adenauer was leading Germany to atomic war. "Who Chooses CDU Risks Atom Death!" shrieked one Socialist poster. In Bremen, CDU workers countered with posters that said bitingly: "Who Chooses SPD Chooses Ollenhauer." Nikita Khrushchev had done Adenauer the great favor of pointing out, two weeks ago in Berlin, that Russia...

Author: /time Magazine | Title: WEST GERMANY: The Sign of the Sausage | 9/2/1957 | See Source »

Make Up for the Past. Pictured on every poster and saluted by every speaker, Nasser was plainly still enormously popular in the Egyptian streets. His government had overcome the emergency of its Sinai defeat, but had not yet tackled its immense long-term problems (the economy is stagnant, and overcommitted-by as much as 37% of its foreign trade-to the Soviet bloc). Addressing his new one-party Parliament early in the week, Nasser seemed almost too subdued to be true. He summarized his regime's homefront achievements ("Our greatest gain is hope"), and bore down on the need...

Author: /time Magazine | Title: EGYPT: Celebration | 8/5/1957 | See Source »

...collection of an American-and an American banker, at that. Hit of the Paris season is the Orangerie des Tuileries exhibit of a masterpiece-studded collection lent by Manhattan's Robert Lehman. Delighted Paris art lovers and tourists swarmed to the exhibit by the thousands; even the exhibition poster (see cut) became a collector's favorite. One French connoisseur was heard to exclaim, "We never dreamed that anybody in America had a collection so wonderful, so well selected, so indicative of a really superior taste in art." For the story of the limelight-shunning banker-collector who brought...

Author: /time Magazine | Title: A Letter From The Publisher, Jul. 1, 1957 | 7/1/1957 | See Source »

...monumental, realistic style. Bright, clear colors convey the brilliance of the sun's reflection and massive forms suggest in their postures strength and determination. One disturbing detail is the distortion of the faces. Perhaps also the picture is to slick, too much like a "Come to Switzerland" poster. Much of Shimizu's work like this picture owes a debt to Shahn...

Author: By Lowell J. Rubin, | Title: Undergraduate Art | 5/13/1957 | See Source »

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