Word: post-impressionists
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...form as it turned. Rarely does one get a chance to see a wall of Gauguins like the one in the Royal Academy, and the late paintings, such as Annah the Javanese, 1893, make one realize how complete was the liberation of feeling that went with the unfettering of post-impressionist color. The stocky, compact little body looks curiously unsensuous, at least by the conventions that Ingres or his salon followers would have recognized, but it is color that turns it into the epitome of carnality: the deep lunar blue of the chair enthroning the shadowed flesh, the sudden blaze...
...satire, a mix of burlesque and Joycean wordplay boldly colored by a fastidious disdain for the fake, the tawdry and the pompous. Even the titles of Perelman's "bits of embroidery," as he called his pieces, set new boundaries for comic absurdity: Somewhere a Roscoe; Beat Me, Post-Impressionist Daddy; Amo, Amas, Amat, Amamus, Amatis, Enough; Insert Flap "A" and Throw Away; No Starch in the Dhoti, S'll Vous Plait; Methinks He Doth Protein Too Much. His death last week in New York at 75 closed the page on a generation of American humorists that included Frank...
...ideal. The Bloomsberries aspired to a spiritual bohemianism that would throw off Victorian customs and morals. They shaded 19th century liberalism into a reformers' zeal for the good, the beautiful and the outspoken. In literature they allied themselves with the experimental; in art they coined the term post-impressionist and introduced the English public to Cezanne, Van Gogh, Matisse and Picasso...
...20th century gallery the people admired the immovable flecks of paint that still suggested the fleeting vision of a group of Post-Impressionist painters. They chatted idly. The afternoon was a skirmish of de-clawed cultural one-upmanship. There was a lot of talk about market prospects for the paintings and the scarcity of a certain artist's work because it is difficult to sound knowledgeable about the sensations impressionism evokes. It is perhaps the most ambiguously worded of artistic messages precisely because it imparts no message. There is a foreshadowing of the primitivism of later 20th century...
Rolly-Michaux's Sunday afternoon preview, however, did not just afford a glimpse of viewers as preoccupied with each other's reactions to art as with the art itself. The paintings on exhibit include 10 works rarely seen in this country by the Post-Impressionist Georges Binet (1865-1949) and a rich collection of recent works by the 65-year-old Rouen artist, Albert Malet, who has been called "the last of the Impressionists." The paintings are very different in spirit but alike in quality; this is a small exhibition, but you will want to linger long...