Word: portrays
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
Died. J. Scott Smart, 57, radio actor and mimic who capitalized on his physique (270 Ibs. at his prime) to portray Dashiell Hammett's urbane gumshoe The Fat Man from 1946-52, with his gruff voice convinced listeners he meant it when he snarled "murder," as on other radio shows he convinced them when he squawked like an ostrich, croaked like a bullfrog, orated like Huey Long; of cancer; in Springfield...
...supporting roles are adequately handled and the humor is played to the utmost. As Andromache, Johanna Shaw overcomes a certain flatness of tone to portray the concerned and anxious wife of Hector. John Beck, doubling as the crafty Ulysses, presents a fine portrait of the experienced and uningenuous Greek ambassador. Christopher Rawson's portrayal of Paris as a complete sensualist involved an excessive number of effeminate hand-on-hip gestures...
...thin-stained canvases, gives them a drawing for their pains. Bouché's technical equipment, like that of John Singer Sargent and Giovanni Boldini, is not prodigious, but exactly suits his ends. He may well rank with those past masters of social portraiture. Bouche is not one to portray the bellhop or the country maid, but flies straight to the inmost circle of society, where the crustiest tycoons really do unbend, all wives are beautiful, and well-tailored bohemians are welcome. In a sense, he adores the lions and tigresses of a world often so polite that...
...Griffith P. Hastings. Their portrait is a largely familiar one of a genial poker-playing mediocrity who is hoisted into the White House. His cronies are crooks whom he turns into Cabinet members and on whose strong right claws he leans for support. At the end the authors portray a Harding who commits suicide,* but not until he has been roused (by what he unwillingly learns) to responsible action...
Guinness' current vehicle, now at the Saxon Theatre, is a film version of Daphne DuMaurier's novel The Scapegoat. This affords the star another opportunity to undertake more than one role. But whereas he portrayed an octet of completely different characters in Kind Hearts and Coronets, his task here is in some ways much more difficult: Guinness, without benefit of contrasting makeup or costume, has to portray two men visually identical and sometimes conversing with each other--a British college French teacher on vacation in France, and a French count. The latter tricks the former into taking his place...