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...Kobe in 1957 and returned to Japan in 1964 as TIME-LIFE bureau chief in Tokyo. Schecter filed the bulk of the reporting for this week's cover to Writer Robert Jones and Senior Editor Edward Jamieson. Schecter also led the search for a Japanese artist to portray Japan's Premier...

Author: /time Magazine | Title: A Letter From The Publisher: Feb. 10, 1967 | 2/10/1967 | See Source »

FORTUNE and Harper's Bazaar. By 1950, he returned to more venturesome art in an attempt to portray the surface glitter of U.S. society. Nowadays he captures it, often by amplifying its most sordid outcroppings. But he also suggests that life is full of fantastic fury and that picturing it is more attractive than many would expect...

Author: /time Magazine | Title: Artists: Baal Booster | 2/3/1967 | See Source »

Illusion of Spontaneity. For a man who is supposed to adore the late President, Manchester did not hesitate to portray him in his last hours as harassed and irascible. J.F.K. is described as chewing out Brigadier General Godfrey McHugh for wrongly forecasting cool weather in Texas. He orders Jackie to wear "simple" clothes to "show these Texans [original version: "those rich Texas broads"] what good taste really is." While making a speech in Houston, Kennedy's hands shook so violently that they seemed palsied. "To his audiences," writes Manchester, "his easy air seemed unstudied. The illusion of spontaneity...

Author: /time Magazine | Title: The Press: What the Fuss Was About | 1/20/1967 | See Source »

...living person when his name or picture is used "for the purposes of trade." Originally aimed at unscrupulous advertising, that law was a 1903 byproduct of the Warren-Brandeis article. To avoid conflict with the First Amendment, New York courts have construed it as permitting the press truthfully to portray anyone without his consent as long as he was involved in news of public interest. But that privilege rarely if ever protected false or "fictionalized" reporting...

Author: /time Magazine | Title: The Supreme Court: A Vote for the Press over Privacy | 1/20/1967 | See Source »

...farm, there is more quiet transparency than passion. Twachtman collected Chinese paintings, and their gentle influence shows. His scenes (see color page) are stripped down to Mondrianesque simplicity yet they stand at symphonic distance from the Dutch abstractionist's boogie-woogie colors. Twachtman's task was to portray tranquillity in nature almost at her vanishing point...

Author: /time Magazine | Title: Painting: The Quiet American | 10/14/1966 | See Source »

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