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Today’s superstar tweens have mastered the fine art of celebrity by marketing themselves not simply as sitcom princesses or bubblegum pop singers, but instead as the complete package of movie star, television personality, pop singer, dancer, cover girl, spokesperson and—in some cases—charity advocate in one. They’ve learned from Britney and Christina to remain at least somewhat wholesome (or keep up the image of wholesomeness) for as long as possible, especially during the fragile transition from tween to teen category, a time where hormones rage and innocent kids...

Author: By Lisa M. Puskarcik, CRIMSON STAFF WRITER | Title: Bubblegum Machine: When I Was a Tween | 11/21/2003 | See Source »

...lesser-known university where students seem to have a firmer grasp on this concept. Historically, Yale University has the been #2 in higher education to Harvard’s #1, the Pepsi to our Coke, the Lexus to our Mercedes. Yet, despite being the undisputed #1 in the pop-culture rankings, Harvard may fall far short of Yale in one very important respect—the happiness of its students...

Author: By William L. Adams, Brian Feinstein, Adam P. Schneider, A. HAVEN Thompson, and Scoop A. Wasserstein, CRIMSON STAFF WRITERS | Title: The Cult of Yale | 11/20/2003 | See Source »

...very difficult target to get around, so certainly in the triangle areas around the basket, yes, he needs to get the ball there. He’s also a very, very capable elbow shooter, so whether it be any kind of rotation or a screen and a pop as the screener…he can do that...

Author: By Alan G. Ginsberg, CRIMSON STAFF WRITER | Title: Versatile Cusworth Still Growing | 11/19/2003 | See Source »

...freewheeling, sexually adventurous, pre-AIDS club world is vivid, uncompromising and often funny. And as a study of the perils of fame, the show is miles beyond the other biographical musical playing down the block - The Boy From Oz, a candy-coated account of the life of pop star Peter Allen. With the exception of O?Dowd, who?s a little stiff as Bowery, the cast is superb, especially Morton, a sweet-voiced doppleganger for Boy George, and Esparza, an electric Broadway star, who touches the humanity behind the high-camp shallowness of Sallon...

Author: /time Magazine | Title: Rosie?s Bum Rap: In Defense of Taboo | 11/18/2003 | See Source »

...kinks, with a missed sound cue or two and actors in painful heels stumbling over the cruelly uneven and cramped stage. But overall, the production went smoothly. The soundtrack, which highlighted themes of love and questionable taste, was a well-chosen selection of ’60s bubblegum pop. The play’s setting was changed from London to America, and although the alterations were transparent—cricket was turned into baseball, and so on—the changes spared us from having to hear the bevy of uneven and indistinguishable English accents that so frequently plague American...

Author: By Alexandra D. Hoffer, CRIMSON STAFF WRITER | Title: Review: 'Real Thing' Smiles on Winthrop | 11/17/2003 | See Source »

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