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...talk lots about futurism but I’m a roots person at heart. For me, immaculately produced pop records are usually too smooth to hold on to and too perfect to really love. Thus I’m feeling Southern crunk over anything else remotely popular in rap music, and grime (its closest U.K. equivalent) even more—there’s that apathy towards the world at large and a palpable dirt in the snares and low-end. Dizzee Rascal’s Boy In Da Corner, grime’s flagship full-length, wouldn?...

Author: NO WRITER ATTRIBUTED | Title: Diamonds in the Rough | 3/5/2004 | See Source »

...British fashionista turned novelist Plum Syke’s new novel Bergdorf Blondes, to be released in April by Miramax Books. The light-hearted, designer label-laden novel is latest of the “chick-lit” fiction craze that has spawned a plethora of unlikely pop heroines from Bridget Jones to Sex and the City’s Samantha Jones...

Author: By Lisa M. Puskarcik, CRIMSON STAFF WRITER | Title: Ditz and Glamour | 3/5/2004 | See Source »

...That's fine with me. I missed the Seuss books when I was a lad; my literary companions Babar, Bugs Bunny and the Little Prince (and a lot of junk that I have elevated to the pop-cultural Pantheon in this column). I'm glad that Cohen has honored Geisel as a full-service wit: the humor-magazine work, the political cartoons, his cunning ad campaigns and Ted's creation of one of the most enduring, least endearing antiheroes in Hollywood cartoon history. What follows comes from studying the Cohen book, rerunning my favorites from Geisel's mid-period film...

Author: /time Magazine | Title: That Old Feeling: Seuss on First | 3/2/2004 | See Source »

...lawn, until, within minutes, "The British are quitting!" and "it's all over. We've lost the war." Finally the camp is quarantined with "rumor-itis," and the cartoon ends with the familiar logo of Fox Movietone News - a cameraman at work, except that his camera grinds sausage. Words pop onto the screen: "Sees. Hears. Knows. Nothing...

Author: /time Magazine | Title: That Old Feeling: Seuss on First | 3/2/2004 | See Source »

...start by saying that this is a movie, and that it has the same right to take the Bible literally as other films have to be comically blasphemous. Faith and piety are so often mocked in modern pop culture that Gibson could seem a radical just for approaching the Gospels with a straight face. The director, who won a Best Picture Oscar for Braveheart, has put his money ($30 million) where his faith is. In dramatizing the torment of Jesus' last 12 hours, he has made a serious, handsome, excruciating film that radiates total commitment. Few mainstream directors have poured...

Author: /time Magazine | Title: Movies: The Goriest Story Ever Told | 3/1/2004 | See Source »

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