Word: plumer
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Name & CollegeAB H. Avg. Harrison, Yale 12 7 .583 Jones, Princeton 11 6 .545 Healey, Harvard 11 5 .455 Stillman, Cornell 23 10 .435 Gustafson, Penn. 19 8 .421 Polzer, Cornell 24 10 .417 Besse, Yale 10 4 .400 Plumer, Princeton 10 4 .400 Lambert, Columbia 23 9 .391 Gefaell, Princeton 13 5 .385 Hazen, Yale 11 4 .364 Macdonald, Harvard 18 6 .333 Sickles, Cornell 15 5 .333 Finueran, Cornell 15 5 .333 Lovett, Harvard 19 6 .316 Keyes, Harvard 19 6 .316 School, Cornell 19 6 .316 Morris, Penn. 16 5 .313 Murphy, Columbia 26 8 .308 MacCoy...
Name & CollegeGames AB Avg. Polzer, Cornell 3 14 .571 Stillman, Cornell 3 13 .538 Healey, Harvard 3 10 .500 Gustafson, Pennsylvania 4 15 .467 Lambert, Columbia 4 16 .438 Macdonald, Harvard 3 14 .429 Plumer, Princeton 2 7 .429 Jones, Princeton 2 7 .429 MacCoy, Princeton 2 8 .375 Finneran, Cornell 3 11 .364 Lovett, Harvard 3 15 .333 Morris, Pennsylvania 4 12 .333 Koepsell, Pennsylvania 4 12 .333 Tully, Harvard 2 9 .333 Scholl, Cornell 3 10 .300 George, Pennsylvania 3 7 .286 Sickles, Cornell 3 11 .273 Keyes, Harvard 3 15 .267 Anderofsky, Columbia 4 15 .267 Hasslinger...
...small part of Kimball's success (and a potent budget-balancing aid) is his ability to find eager, knowing young assistants who work hard for small pay. Several of his curators-Henry Plumer Mcllhenny, Henry Clifford, Boies Penrose -are so well off that Kimball affectionately calls them "my millionaires." Down into their pockets dig these three for many of the museum's top-flight special exhibitions. Even more significant is a growing list of "my young men" who now head important U. S. museums and got their first museum training under Kimball at Philadelphia. Some of them: Director...
Among the familiar evidences of European foreboding, this quiet emigration of paintings to Philadelphia ranks as a minor but interesting portent. Both loans were arranged by the Pennsylvania Museum's young, socialite Assistant Curator Henry Plumer Mcllhenny. Young Mr. McIlhenny was tipped off to the nervousness of young M. Gangnat last summer...
More than any other great 19th Century French artist, Daumier has been imitated, forged and mistreated. One aim of the Pennsylvania Museum and of Curator Henry Plumer Mcllhenny, who assembled the present show, was to admit only those Daumier items whose authenticity is 100% established. So hard did young Mr. McIlhenny plug at this task of curatorial scholarship that his exhibition is by way of being a landmark in the scientific treatment of art. On the cover of the Daumier catalogue is no lithograph or painting but an X-ray photograph. The X-ray shows a section of the wood...