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These boudoir details appeared last week in London's lip-smacking Sunday Pictorial under the byline of William Charles Ellis, 51, boss of a pub in Hertfordshire called the Plough and Dial but, until last November superintendent of the Queen's weekend home, Windsor Castle. His chatter was the latest in a series of tattle tales about royal family life to appear in London's popular press, ranging from the governess' gabble of the 1950 The Little Princesses by Marion Crawford, to the more recent manly sacrifices of Peter Townsend, Princess Margaret's boy friend...

Author: /time Magazine | Title: GREAT BRITAIN: A Bit Near the Bone | 1/26/1959 | See Source »

...shrewdness of a gun-toting prophet, there have been times when much of the world has wondered just how big the tiny republic thinks it is. For one peaceful spell, Israel's unsleeping sentinel retired, full of years and honors, to Sde Boker, a pioneer desert settlement, to plough fields, search the writings of the philosophers for "universal truth" and ponder the mission of man-and of Israel. Then, white of mane but wearing the familiar khaki battle dress of his wartime leadership, the hard, headlong man of decision came back to power...

Author: /time Magazine | Title: ISRAEL: The Watchman of Zion | 3/11/1957 | See Source »

...plays a sad game of Hollywood tag with a Romanoff myth. Ingrid Bergman, the poor heroine, is taken in tow by a group of schemers (led by Yul Brynner) who want her to be recognized as Anastasia only in order to get their hands on her unclaimed inheritance. They plough all the proper aristocratic graces and memories into the haunted girl, and finally present her to the dowager empress (Helen Hayes). The pupil now and then surprises her tutors with fragments of memories that could come only from the real Anastasia, so that the film clearly believes in Santa Claus...

Author: By Larry Hartmann, | Title: Anastasia | 2/6/1957 | See Source »

...demolition expert he has no rivals: and we are being grossly irrelevant if we ask a demolition expert, when his work is done: "But what have you created?" It is like expecting a bulldozer to build the Tower of Pisa; or condemning a bayonet for not being a plough. Shaw's genius was for intellectual slum-clearance, not for town planning . . . If Chaucer is the father of English literature, Shaw is the spinster aunt. By this I do not mean to imply that he was sexless ... It is only in his writing that the aunt in him rises...

Author: /time Magazine | Title: Books: Reappraisal of G.B.S. | 8/13/1956 | See Source »

Like most men, Sean O'Casey is a hero to his mirror. Yet he has reason above vanity for some of his pride; he climbed out of the Dublin slums to the fameupholstered penthouse of playwriting, leaving at least two masterpieces to mark the trail, i.e., The Plough and the Stars, Juno and the Paycock. Along the way he has also taken on a habit of piling chips on his shoulders and wearing them like epaulettes. The Green Crow is largely a dress parade of pet peeves, mostly in the form of journalistic pieces on the theater, actors, critics...

Author: /time Magazine | Title: Books: Crackerbarrel O'Casey | 3/26/1956 | See Source »

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