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Despite the sluggish progression of the plot and the generally mundane dialogue, the performers enliven a play that tends towards death by boredom. Though the Effects of Gamma Rays on the audience could easily have been sleep, the talented cast rescued the production. Particularly noteworthy are the performances of Doku and Okunseinde...

Author: By Rebecca Cantu, CRIMSON STAFF WRITER | Title: Athena’s Debut Produces Positive Effects | 11/9/2001 | See Source »

...plot of this anti-government, anti-regulation story centers on the workings of a mental institution in which patients receive ineffective, oppressive and downright ridiculous treatment. The primitive practices of electric shock therapy and lobotomy that are represented in the plot would never be practiced in modern-day psychiatry, but the story still holds a relevant spot as a work that exposes an authority as flawed and in need of rebellion...

Author: By Sarah L. Solorzano, CONTRIBUTING WRITER | Title: Cuckoo Soars in Leverett | 11/9/2001 | See Source »

Indeed, Shallow Hal is very nearly groundbreaking in its ability to simultaneously infuriate and sadden audiences critical of its offensive, unfunny plot gimmick. From early in his life, Shallow Hal (Jack Black) has been the mindless embodiment of all things misogynistic. He and revolting pal Mauricio, another caricature of male chauvinism played by the easily dislikable Jason Alexander, objectify and harass each woman unfortunate enough to cross their path...

Author: By Nathan Burstein, CRIMSON STAFF WRITER | Title: Shallow Hal | 11/9/2001 | See Source »

...plot twist, as it were, comes during a brief encounter between the title character and self-help guru Tony Robbins, who somehow causes Hal to see women as physical reflections of their inner beauty. Hal’s world has been turned inside out (as have the women who inhabit it), but he doesn’t know...

Author: By Nathan Burstein, CRIMSON STAFF WRITER | Title: Shallow Hal | 11/9/2001 | See Source »

...even the most important thing? (Love does make the world go around, Moore believes. Love of gold, that is.) Yet, even with Hackman’s nuanced and convincing acting, there is never a sense of genuine emotion. All these conflicts serve as mere tools that keep the formulaic plot going and allow Mamet to serve up a barrage of his distinctive but often pointless and perfunctory quips. Though Mamet’s dialogue does provide nice pacing and a unique touch to the film, it often distracts the actors and makes for an artificial atmosphere...

Author: By Alex Potapov, CONTRIBUTING WRITER | Title: Steal This Movie, Please: Mamet's 'Heist' | 11/9/2001 | See Source »

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