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...house musical comedy product. The first act has as its locale the screen room of the "Royale Hotel" on the Island of Caprice off the Coast of France; the second act is for the most part confined to a boudoir of the same hotel. The motivation of the plot is provided by the refusal of an arbitrary young heiress to marry the foolish Lord Islington. To escape the marriage she persuades the young Prince Paul De Morlaix to pose as her husband. Everything works smoothly until suspicion necessitates the two young people to occupy the same room overnight. The sophisticated...

Author: By R. T. S., | Title: CRIMSON PLAYGOER | 4/18/1929 | See Source »

Bird in Hand, named for the Gloucester inn in which it takes place, contains the slight story of a romance which is opposed by the girl's father on the rather unusual ground that he does not want her to marry above herself. It is, so far as plot goes, thin fare, but Mr. Drinkwater has thickened it with some highly diverting comedy so smoothly played that it does not seem extraneous. The entire cast has been brought from London, where the play has run a year, and is considerably more than adequate. Ivor Barnard and Herbert Lomas...

Author: /time Magazine | Title: The Theatre: New Plays in Manhattan: Apr. 15, 1929 | 4/15/1929 | See Source »

...Wild Party (Paramount). In one of those colleges where all the girls are good-looking, talk musical comedy English, make love instead of study, and wear clothes that must have cost their parents a pretty penny, Clara Bow falls in love with a professor. Warner Fabian wrote the plot and John V. A. Weaver the drawling dialog of a story that has no connection with the verses by the same title published last year by Joseph Moncure Marsh. The sound-device, recording the Bow voice for the first time, sometimes lags behind, sometimes careers ahead of episodes which arraign young...

Author: /time Magazine | Title: Cinema: The New Pictures Apr. 15, 1929 | 4/15/1929 | See Source »

...Street Scene", by Elmer Rice, will undoubtedly be awarded the Pulitzer Prize for the best American play of the year. Like "Journey's End" it employs but one set--the brown stone front of a West Side tenement--and what plot it has is incidential to its theme of the tragic force of a sordid environment in the lives of a small group of human beings. It is distinguished, incidently, by the most terrifying murder one may find on any stage of the Rialto. The third hardest play to get tickets for is the Theatre Guild's production of "Caprice...

Author: NO WRITER ATTRIBUTED | Title: CRIMSON PLAYGOER | 4/6/1929 | See Source »

...difficult, indeed, to single out any individual as being particularly outstanding. Grant Mitchell, in the role of Walter Fairchild, the advertising man around the results of whose second marriage the plot turns, gives, perhaps, a greater appearance of absolute naturalness, than any of the others. As an example of the solid citizen, not very intellectual but with a certain amount of native wit, kind-hearted and at times understanding to a degree which surprises one without it being improbable, the presentation is excellent. Mayo Methot as Florence Wendell--later Mrs. Fairchild--is scarcely less good, and, moreover, is exceptionally lovely...

Author: By H. F. S., | Title: The Crimson Playgoer | 4/2/1929 | See Source »

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