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...Thin Ice", now at the University Theatre, has surprisingly enough a proper mixture of the elements of cinema entertainment. Romance, comedy, music, skating, and even a plot contribute in turn to a thoroughly enjoyable picture...

Author: NO WRITER ATTRIBUTED | Title: The Moviegoer | 11/6/1937 | See Source »

When a frightened young woman (Olivia de Havilland) arrives with a fluttery story about a wrecked coach, Garrick accepts her as part of the plot, grandly surrenders his rooms to her. While he feigns concern for her safety and distress during the continued ructions, he decides she is a very bad actress. Later he tells her so, then beats the French at their own game, by impersonating one of their members. When he reveals himself there are mutual apologies and gallant toasts all round; but the girl has fled. In Paris he looks for her backstage, discovers that, sure enough...

Author: /time Magazine | Title: Cinema: The New Pictures: Nov. 1, 1937 | 11/1/1937 | See Source »

...methodical madness suggesting nothing so much as a cross between Evelyn Waugh and Marcel Proust. Proust and Waugh have at bottom much the same chillingly precise appreciation of high-flown decadence, and the combination of their two techniques here serves the author very well. Waugh-ish are the incidental plot and background, which largely describe the scurryings from London to Paris to the Lido of the richlings who make up the socialite crowd; while Proustian are the devices of memory-association and semi-essayistic progression by which the author relates their fantastic adventures to the placider doings and ruminations...

Author: /time Magazine | Title: Books: Modernist Miracle | 11/1/1937 | See Source »

Telling the story of a lady of disrepute who leaps from the oblivion of a Hollywood dive to the magnificence of a Hollywood winter resort, "The Bride Wore Red" gives itself away almost before it starts, so obvious is the plot. In fact the film's greatest asset is the fact that it suffers no illusions as to its own importance. Pleasantly it wends its way, and pleasantly it will affect the cinematic taste of the semi-sentimental moviegoer...

Author: By V. F., | Title: The Crimson Moviegoer | 10/25/1937 | See Source »

...destructive knack for stylizing all its gestures, the technique of haywire comedy has reached a monotonous perfection. After two screwy characters have been established as potential sweethearts and their lives thoroughly scrambled with another couple's, the main element of suspense is what kind of melee the plot can wind up to. In Double Wedding the melee is Charlie's wedding to Irene, staged in his trailer home, which turns into a wedding to Margit...

Author: /time Magazine | Title: Cinema: The New Pictures: Oct. 25, 1937 | 10/25/1937 | See Source »

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