Word: plotting
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...Sylphide,” also began the Boston Ballet’s 2007-2008 season at the Wang Theatre. Due to its brevity, the piece was paired with and preceded by Balanchine’s groundbreaking “Serenade.” With its simple elegance and timeless plot, “Serenade” was, of the two pieces, the true gem, outshining “La Sylphide” in its choreography (by Sorella Englund after August Bournonville) and performance...
...With a ballet entirely driven by plot, most of the scenes harnessed an element of drama, which, though artfully rendered, often distracted from the dancing itself. As the character who drove the plot, Molina also had the strongest performance. His turns often lacked energy, but his leaps more than made up for it. Molina consistently out-danced Cornejo, despite her clear talent and clean technique...
...integration of the plot into the scenery was perhaps the most successful aspect of “La Sylphide.” While this interaction with the set was consistent throughout the show, the most impressive example was also its best moment. As the sylph clutched her heart and died, it appeared as if that was the last moment of beauty in the ballet. But her depicted resurrection was a stunning aesthetic moment: Laying on the ground, covered in the translucent scarf that poisoned her, she was slowly elevated through the trees of the forest until...
...Serenade” graced the stage first. Pairing this ballet—Balanchine’s first choreography in America—with “La Sylphide” seemed like an odd choice: “Serenade” is mostly plot-less, containing only the shadow of a heartbreak story that would link it to the themes of “La Sylphide...
...Romantic ballet, this lack of plot is actually the greatest strength of “Serenade.” Balanchine’s choreography is spectacular because of its seamlessness. The 17 dancers are skillfully woven together in a technically challenging 40-minute ballet. And since there is little story to follow, the choreography requires particular attention to technique...