Word: plotting
(lookup in dictionary)
(lookup stats)
Dates: during 1990-1999
Sort By: most recent first
(reverse)
...greatly publicized Ghost calls the movie startling. Startling maybe if you've never seen sap running from the trees in springtime. The subtitle for the movie is "Believe," but you're more likely to believe peace breaking out in the Middle East than most of this peripatetic plot...
Most of the mystery of this movie lies in its attraction rather than its plot. The movie opens with yuppie couple Sam Wheat (Patrick Swayze) and Molly Jensen (Demi Moore) moving into one of those ridiculously large New York apartments that only people in movies can afford. They're happy, after their fashion--late at night, when Molly can't sleep, she shapes clay phallic symbols on her pottery wheel and Sam wakes up and helps her. Despite the fact his hands are caked with clay, he rubs her thighs. She gets all hot and bothered, and they dance...
...your typical Manhattan duo. They are smart, caring and gorgeous; they live in a fabulous loft. When they make love, to Bobby Hatfield's orgasmic rendition of Unchained Melody, the sex is so beautiful you could die from it. Too soon, Sam does die -- he is murdered -- in a plot twist that anyone can unravel in an eyewink. Now stranded between heaven and earth, he must use the gifts of a sassy psychic (Whoopi Goldberg) to alert Molly of threats to her life -- and, while he has her attention, to make mad pash one last time...
...persuasive universe if it doesn't abide by its own rules? Both of these Ghost stories take grave liberties with the laws of physics. In the Cosby film, no one can see Dad at first; then only his children; then everybody, if the lights are low and the plot requires it. He walks on floors but falls calf-deep into a carpet. In Ghost Sam can walk through some walls but not others. At the climax, he wastes time trying to persuade Molly to open her door when he has the power to unlatch it. He is a most unreliable...
...thing the movie does rely on too heavily to advance the plot, however, is a silly little deus ex machina character named Sir Edith, played by Ian Bannan. Bannan does the best he can with his miserable role. The only bit of humor involved is that he has to be told over and over again that Edith is a girl's name...