Word: plotting
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Dates: during 1940-1949
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...Classics, you don't really need Latin at all to appreciate and guffaw at his comedy. The Marx Brothers and Laurel and Hardy have been successful at the same type of comedy for years, a slapstick variety with humor arising from situation and double-meanings rather than from plot intricacies. That is the type of humor in "The Braggart Warrior." Briefly, a soldier with a bigger mouth than a sword has one woman and would woo another. He keeps the first against her will, while her real lover waits next door. He is tricked into releasing her, and receives...
...ever-present sub-plot involves Shirley Temple, a nut-brown coed who later turns out to be a widow with a three-year old child. It's the same old saga of campus love, and falls down badly. Fortunately the focus is always on Clifton Webb, who like Bobby Clark, is a show by himself. His attitude throughout the entire picture can be accurately summed up in the following exchange...
...meets up romantically with Deputy Sheriff Zachary Scott. Next she gets a respectable job as a local waitress. Before she ends up in the town's biggest mansion, as the wife of the state's biggest politico (David Brian), she has to take a series of plot hurdles and heartbreaks. Biggest hurdle of all is Scott's vicious, milk-drinking boss (Sydney Greenstreet...
Flamingo Road is not even paved with good intentions. Jerry-built out of odds & ends of cliches, it is an unashamed reworking of a formula that has been familiar to Joan Crawford's fans for a couple of decades. The tired old plot is in no way improved by Joan's new hairdo, which is blonde and unbecoming. Sydney Greenstreet, with his lashless, inscrutable stare, is no whit different from what he has been in a dozen similar roles. As usual, he gets the dirtiest end of the dialogue. Sample, as Joan pulls...
...dilemma of the underground in deciding whether its ends justify killing innocent people, are presented with great power. But these high points are not frequent enough to make "We Were Strangers" the artistically fine movie it tries to be. The film lacks any real characterizations, concentrating on its plot. This ends in an ironical twist which is not handled smoothly enough to be completely effective...