Search Details

Word: plotting (lookup in dictionary) (lookup stats)
Dates: during 1930-1939
Sort By: most recent first (reverse)


Usage:

...producers find a certain amount of difficulty in fitting in the dance sequences without straining the plot, but Astaire has to be given a chance to dance somewhere. Burns and Allen assist him in a couple of his dance scenes and are generally able to keep up to his nimble feet...

Author: By J. J. R. jr., | Title: The Crimson Moviegoer | 1/5/1938 | See Source »

...photography, particularly in the close-ups of Miss Dietrich, the skillful contrast of the gowns she wears as Angel and Maria's tailored English costumes, the detail of the sets, the handling of suspense, the clever way in which the telephone is twice used to advance the plot, scraps of dialogue which show, a little satirically perhaps, the social structure of "this Sacred Plot," these and a score of other subtleties prove Mr. Lubitsch master...

Author: NO WRITER ATTRIBUTED | Title: The Moviegoer | 1/3/1938 | See Source »

Between the Devil (by Howard Dietz and Arthur Schwartz; produced by Messrs. Shubert). When Between the Devil was floundering through New Haven and Philadelphia tryouts last October, its plot concerned an exuberant Englishman (Jack Buchanan.) who married two girls at once simply because he loved them both. After two months of meditation the producers decided that such wantonness would never go down, so Jack Buchanan was allowed wife No. 2 only because he thought No. 1 was lost in a shipwreck. Unfortunately for the show, this unworkable narrative contrivance does not go down so well either, but the music...

Author: /time Magazine | Title: Theatre: New Musicals in Manhattan: Jan. 3, 1938 | 1/3/1938 | See Source »

Addicts of light opera might be offended by a humorous or credible plot. Three Waltzes in this respect is singularly inoffensive. Its charm lies in tuneful music, ebullient singing and dancing, vivid staging. In a ballet school, with costumes after Degas, begins the luckless romance of the ballerina (Kitty Carlisle) and Count Rudolph (Michael Bartlett). In Paris of 1900 the same pair appear as another ill-starred couple, with the ballet converted into Toulouse-Lautrec girls doing a violent cancan. At last, in a contemporary cinema studio, the lovers, as descendants of their former selves, find their happy ending...

Author: /time Magazine | Title: Theatre: New Musicals in Manhattan: Jan. 3, 1938 | 1/3/1938 | See Source »

FADE OUT-Naomi Jacob-Macmillan ($2.50). The third importation in a year of a prolific, English popular novelist: this one about a playwright and an actress, in a plot which only the proverbial rich grandmother can straighten...

Author: /time Magazine | Title: Books: Recent Fiction: Jan. 3, 1938 | 1/3/1938 | See Source »

First | Previous | 47 | 48 | 49 | 50 | 51 | 52 | 53 | 54 | 55 | 56 | 57 | 58 | 59 | 60 | 61 | 62 | 63 | 64 | 65 | 66 | 67 | Next | Last