Word: plot
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Dates: during 1970-1970
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...medium in which to express the madness and torment of Becket's struggle with his fate. What the audience sees is not so much the performance of a play, as the enactment of a ritual. The characters speeches are set in poetry: there is the barest outline of a plot. It is up to the director and the actors themselves to endow this ritual with all the intensity and the passion of the themes it seeks to express. Director David Wheeler and the Theatre Company of Boston succeed in doing this beautifully...
...expansion of the novel's meaning, Wurlitzer resembles Thomas Pynchon, who also wrote a book in which the reader adopts the protagonist's emotion instead of merely sympathizing with it. In The Crying of Lot 49, the plot contains a possible conspiracy that you see as a possible conspiracy existing in your life in exactly the same sense as it exists in the novel. The intellectualized emotions contained within the book are generalized outside of it in a way that does not usually happen...
...play is Ben Jonson's BARTHOLOMEW FAIR, a sprawling work with plot tines and characters in a dozen directions at once. It is set against the backdrop of a fair, which was the closest thing the E?zabethans had to a trip. Senelick's got to make all the pieces fit together without letting the gears lock altogether and have the whole delicate Rube Goldberg design collapse. As a comedy, BARTHOLOMEW FAIR is something of a wild creature. As the director. Senelick must find a way to cage it without killing...
That is the beginning of a new movie called The Ballad of Cable Hogue and, truth to tell, there is not much more of a plot after that. Cable (Jason Robards) stubbornly battles thirst and wins, discovering a water hole in the desert. He stakes a claim, swears revenge on his two partners (Strother Martin and L.Q. Jones) and meets a tasty tart named Hildy (Stella Stevens), who winds up keeping house at his combination water hole and stagecoach stop. He falls in with an itinerant preacher and whoremonger who calls himself the Rev. Joshua Duncan Sloane (David Warner...
Without its plush outdoor landscapes, the movie would be almost indistinguishable from a particularly disastrous Laugh-In. The choppiness of the action could be excused as it precludes a continuous plot-line, which is also absent in the book. But the minimal transitions that are attempted lack the barest suggestion of originality. It just so happens, for instance, that Grand is an avid TV-watcher, and his propensity to change channels lets Southern smuggle in random bits about a disguised puma that eats its competition at a silk-stocking New York dog show and two gnarled heavyweight contenders who prance...