Word: plot
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Gangster pictures, when well executed--provided they have a good plot, and are properly organized--are usually interesting, if not amusing, but with the market flooded with this type of movie, a poor or mediocre one falls decidedly flat. With a decidedly poor plot to begin with, Morris and Blondell--to whom credit must be given for being well chosen for their parts--emote, snarl, and wisecrack at each other in a half hearted manner, Blondie's high pressure, big, beautiful, blue eyes exude sex appeal which usually missed the mark, and Morris has a difficult time in his dramatic...
...Edouard Daladier limited himself to a lukewarm acceptance of the four-power pact, there were many ventriloquist dummies available to say what he and most Frenchmen really felt. Loudest was the French Press, howling down the Mussolini Plan as an international plot to render France defenseless and rob her of hard-earned gains...
...feet again, President Hammond starts to make things hum. He demands and gets the resignation of his Secretary of State. He addresses an army of unemployed, enlists them in a civilian workers corps. He gets rid of all his Cabinet when they plot against him. When there is a motion in Congress to impeach him, he adjourns Congress, makes himself dictator. Molested by a tycoon gangster, he places his secretary at the head of a corps of Federal police in armored cars. They bombard the gangster's distillery, deliver its occupants to a firing squad. Throughout the picture...
...Moore '35 have the distinction of being amateur composers who have produced a score that not only sounds like something but has real swing and force to it. Shrewdly the directors of the production have realized this fact and little else in the way of plot, dialogue, or special acts has been attempted. Apparently any such additions would simply have served to lower the average...
Roger Hewlett '33, author of the book, did not go far afield for his plot. That it includes scenes "in the living room of Miss Caroline Porter's House," on board the S. S. Iambic (which provides opportunity for a pirate scene) and a Paris cabaret gives sufficient hint as to its nature. W. F. Draper '35 takes the feminine lead with admirable gusto. His blitheness and litheness put the local vanities and ventures in the shade. Between the acts it was embarrassingly difficult to distinguish between the genuine debs in the audience and the members of the chorus...