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Word: plot (lookup in dictionary) (lookup stats)
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...gong sounded feebly, horns droned, strings quavered mistily and the curtain went up on what was supposed to be a kiosk on the Bosporus. Composer Seymour had taken his plot from Author Harrison Griswold Dwight's Stamboul Nights. A Hollywood friend named H. C. Tracy had hacked out the libretto. But, at first, words were lost while the audience gaped in bewilderment at Frederick Kiesler's setting. The kiosk resembled the turret of a battleship topped by an old-fashioned lampshade. To suggest the garden a lighting arrangement projected on the backdrop a horizontal stem and four...

Author: /time Magazine | Title: Music: Dismal Doings | 2/4/1935 | See Source »

...slick, entertaining film of a modern Cinderella, The Gilded Lily moves plausibly through many plot impossibilities with Miss Colbert looking extraordinarily beautiful in chic Travis Banton frocks. Fred MacMurray, onetime jazz-band leader, dark-browed and handsome in his first leading role, is obviously nervous in some scenes but does, on the whole, creditable work and will probably be hailed as Hollywood's new great lover. Pleasantly directed by Wesley Ruggles, this film just misses being a worthy successor to It Happened One Night, to which it will undoubtedly be compared...

Author: /time Magazine | Title: Cinema: The New Pictures: Feb. 4, 1935 | 2/4/1935 | See Source »

...reason why people like my books," she says, "is that I write of life as I want it to be." Since Mrs. Norris follows the dictates of her Church, the heroines in her stories can never get divorces, never practice birth control. As a result of this strict plot limitation, only the death of any who block her heroine's way can lead to a happy ending. And death stalks the pages of Mrs. Norris' novels as grimly and certainly as in a Greek tragedy. Two have to die in Woman in Love. First Tamara's seducer...

Author: /time Magazine | Title: Books: Golden Honeymoon | 1/28/1935 | See Source »

Conforming to Hollywood standards in settings, songs (mostly by Rodgers & Hart), dances and costumes. Evergreen even has a backstage plot. It shows its heroine, the ambitious daughter of a retired stage favorite, becoming a star by pretending to be her mother. The impersonation, carried on to the detriment of her own intrigue with a young press agent and to the feverish anxiety of her stage manager (Sonnie Hale), ends when, on a gala opening night, she removes her white wig and does a modern dance routine which first alarms, then enchants her audience...

Author: /time Magazine | Title: Cinema: The New Pictures: Jan. 21, 1935 | 1/21/1935 | See Source »

...specifically, any type of adventure story demands a certain type of character for its roles with the result that individual interpretations must be thrown into the discard. The struggle of the colonel, Sir Guy Standing, between devotion to the army and love for his son lends coherence to the plot. Richard Cromwell brings to the role of the son a sincerity which overcomes the unpleasant aspect of his part, a sufficient proof of his ability. The reactions of Gary Cooper as the rebellious officer and Franchot Tone as the Blues replacement under fire should provide an estimate of their contributions...

Author: By A. A. B. jr., | Title: The Crimson Playgoer | 1/21/1935 | See Source »

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