Word: plot
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Dates: during 1970-1979
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...currently fighting extradition from Colorado. Sams also contends that on the night of the torture, Scale visited Kimbro's house, where Rackley was being held, and gave Sams the order to "do away with him." In court testimony Kimbro alleged that McLucas was a consenting member of the plot to kill Rackley...
...opinion, "the emphasis of the seventh-grade sessions was placed on youngsters' social problems," while even "twelfth graders would learn more about the problems of raising a family than they would about sexual intercourse." Nevertheless, the Antis saw it as the evil of all evils -a Communist plot to brainwash pure-minded America. Atheism, rock 'n' roll, even the U.K. were minor perils beside sex education. It was "programmed perversion," condoning homosexuality, endorsing masturbation-a sneaky death blow at the heart of America: the Family. The Pros, on the other hand, saw the experiment as education...
...plot is a somewhat chaotic contrivance, involving two kids (Michael Brandon and Bonnie Bedelia) who have lived together for a year and finally decide to get married. Her family provides them a stylish wedding but sets a terrible example. Father (Gig Young) is carrying on with mother's best friend (Anne Jackson). Brother (Joseph Hindy) and sister-in-law (Diane Keaton) are determined to divorce. The groom's father (Richard Castellano) explains he has never really been happy with his wife (Beatrice Arthur), while a bridesmaid (Marian Hailey) fights off the advances of a lecherous usher (Bob Dishy...
...plot could have been lifted from a 1933 story conference at Warner Brothers. Siffredi (Alain Delon) is a petty crook, all bile and brilliantine, who goes looking for his girl friend Lola (Catherine Rouvel) after his latest prison term has expired. Stalking the streets of Marseille, he finally finds her happily biding her time with a nattily tailored sharpie named Capella (Jean-Paul Belmondo). Siffredi immediately initiates repossession proceedings. Capella only grins. Siffredi glowers. Capella still grins. Then, of course, they fight. After knocking each other around for a while, over pool tables, into mirrors, across bars, that sort...
...usual when dealing with the impetuous and the headstrong, Eliot and Snow maintain a judicious tolerance toward Charles and his friends. Only the plot betrays an unspoken elders' bias: it is you people who make the messes that we people have to tidy up. Young Charles sees that there are other, better ways to effect change and takes off to the Middle East to acquire influence-on-the-quick. Another bright learner in the old Snow power game? Snow is ambiguous, and the ending is about as inconclusive as Snow's ten earlier endings...