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Word: playwrighting (lookup in dictionary) (lookup stats)
Dates: during 1950-1950
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Usage:

...London interviewer from the New York Times, Poet-Playwright T. S. Eliot cleared up a subtle point that has puzzled many who have seen his Broadway hit, The Cocktail Party. Why does one of the heroines go on living a dull life with her husband while the other goes off to Africa to be crucified? Said Eliot: "People are just different, aren't they...

Author: /time Magazine | Title: People: The Personal Approach | 4/24/1950 | See Source »

...Playwright-Biographer Robert Emmet (Roosevelt and Hopkins) Sherwood told the New York Times Magazine how he had found, among the newly opened archives of his old friend Franklin Delano Roosevelt, some unpublished correspondence between F.D.R. and the late William Allen White, philosopher-publisher of Emporia, Kans. One of the letters, which had contained a snapshot of F.D.R. in one of his favorite seersucker suits, began "Dear Bill: Here is the seersucker picture, duly inscribed by the sucker to the seer...

Author: /time Magazine | Title: People: People, Apr. 17, 1950 | 4/17/1950 | See Source »

Died. Kurt Weill, 50, German-born composer of topflight musicals (Lady in the Dark, One Touch of Venus), who collaborated with Playwright Maxwell Anderson on the current Broadway smash hit, Lost in the Stars; of heart trouble; in Manhattan...

Author: /time Magazine | Title: Milestones, Apr. 10, 1950 | 4/10/1950 | See Source »

...London and Broadway stage hit, The Winslow Boy (1946-47), Playwright Terence Rattigan stuck fairly closely to the facts of the Archer-Shee case, while rigging them skillfully for theatrical effect. In the movie version, Scripters Rattigan and Anatole de Grunwald stick too closely to the play. As a result, despite some superior dialogue and top-drawer British acting, the film plods along with more patience than it is likely to find in U.S. moviegoers...

Author: /time Magazine | Title: Cinema: The New Pictures, Apr. 10, 1950 | 4/10/1950 | See Source »

...copies (and 220,000 reprints), and made Max, at 24, a very big yuk in the laugh trade. The Feather Merchants (1944) and The Zebra Derby (1946) did even better. On the dust jacket of Max's fourth book, Sleep Till Noon, no less an authority than Playwright George Abbott has no hesitation about calling Max a humorist "who seems distantly related to Dean Swift and Rabelais...

Author: /time Magazine | Title: Books: Fallen Arch | 4/10/1950 | See Source »

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