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...reads the January-March Emergency Preparedness Digest. This headline overlaps a picture of a kneeling figure in a yellow-orange spacesuit, the kind sported by Dustin Hoffman in the recent film Outbreak. The suit on the cover has more of a bubble shaped helmet, though, like the little plastic helmets of Lego spacemen...

Author: By Noah I. Dauber, | Title: Are You Prepared? | 4/27/1995 | See Source »

...used to bring a Snoopy lunchbox to school. It was light blue and plastic and had a red thermos inside. After a while it broke, and I got a metal Little House on the Prairie lunchbox with pictures of Laura and Mary and Ma and Michael Landon all over it. After I lost that, I brought my lunch to school in a brown paper bag. Then we ran out of food at my house, but I told everyone I had a magic invisible lunch, and they all thought I was the coolest kid in the second grade...

Author: By Judy Budnitz, | Title: Portrait of the Artist | 4/27/1995 | See Source »

...flight out, Snepp saw "fiery stitching in the plastic window across from me" and realized it was ground fire. "The chopper groped for altitude as the motors wailed in protest. A small radar screen behind the pilot's seat began pulsing with a pale green glow, converting the navigator's face into a ghoulish mask. For three or four minutes the tracers continued reaching up for us, slowly burning out as they fell short ... I thought to myself, How absurd. To be shot down...

Author: /time Magazine | Title: SAIGON: THE FINAL 10 DAYS | 4/24/1995 | See Source »

...money," said Dung, a former schoolteacher. Afterward "I invested $40,000 in a piece of land outside Hanoi and sold it 10 days later for $57,000. Not bad for a long-term investment, eh?" In thanksgiving, he heaved a pile of fake $100 bills and plastic coins into the offering fire, quickly stepping aside for the next supplicant...

Author: /time Magazine | Title: VIETNAM: BACK IN BUSINESS | 4/24/1995 | See Source »

...best piece in the show, both horribly vivid and weirdly distanced, is the room-size Carousel, 1988. Four motor-driven arms swing on a pivot. From each hangs what appears to be the flayed carcass of a deer or a wolf. (They are, in fact, hard plastic-foam molds.) These casually suspended mock bodies are covered in graphite paint, and they drag on the floor, producing an unremittingly irksome scraping noise and leaving a silvery circular trail behind them, round and round. You don't feel empathy with the dead animals--the molds are too blank to evoke much more...

Author: /time Magazine | Title: BEING A NUISANCE | 4/24/1995 | See Source »

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