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Right now he is concerned with helping his seven-year-old daughter Arianna slide grape Popsicles out of a plastic mold. Arianna, Anthony's child from a previous relationship with a New York policewoman, spends every other weekend with Dad. She is lithe like her father, with brown hair hanging below her knees. Giving her father a purple-stained kiss on the cheek, she seems oblivious to the messy child-support dispute her parents have been having for more than a year...

Author: /time Magazine | Title: Marc Anthony: Best of Both Worlds | 9/15/2001 | See Source »

...eats dinner, the room fills with half a dozen folks who smoke pot, drink Hennessy Cognac, make fun of one another and generally behave like nightmare houseguests. Dre clearly loves the distraction, though he doesn't personally indulge in anything beyond a toothpick. When he folds up his plastic clamshell of chicken and says, "Back to work," the room clears...

Author: /time Magazine | Title: In the Doctor's House | 9/15/2001 | See Source »

Besides her apartment in the West Village neighborhood, she has a work space in Chelsea, a two-bedroom apartment where her assistant and an electronica dance duo named Matmos live. (Matmos' latest album, A Chance to Cut Is a Chance to Cure, contains sounds sampled during plastic surgery.) Down the street from the Chelsea apartment, the Matthew Marks gallery is showing Bjork's upcoming video, five minutes of multicolored, multitextured gloopy stuff running from her eyes into her nostrils and back out her eyes. Bjork maintains, paradoxically, that she has to create videos that odd to make her music more...

Author: /time Magazine | Title: Bjork: The Ice Queen | 9/15/2001 | See Source »

...another day. "It's just amazing," said nurse Anne Taylor, standing in the donors' line. "There'll be a three- or four-hour wait, and just look at all of these people standing here. They can't scare us." Bellevue hospital had so many donors, it ran out of plastic bags...

Author: /time Magazine | Title: If You Want To Humble An Empire | 9/14/2001 | See Source »

Political statements are not rare at the Biennale, but one of the most powerful statements of this years’ Biennale is easily walked past. Do-Ho Suh, a Korean artists who splits his time between Seoul and New York, placed hundred of tiny plastic human figurines underneath a glass floor. Viewers enter his exhibition space and see only white walls and a rusty pipe; it’s often a few minutes before they see the struggling figurines that they are walking over. Such a delayed reaction calls into question the perceptions of passive violence in our society...

Author: By Christina B. Rosenberger, CRIMSON STAFF WRITER | Title: Burning Up: Art Sizzles at the Biennale | 9/14/2001 | See Source »

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