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...Juliet Stevenson, there was the low-key comedy Mr. Wonderful with Matt Dillon and Mary-Louise Parker. Then came The English Patient, which won nine Oscars, including Best Director and Best Picture - and suddenly people started paying attention. "He directed most of The English Patient with an ankle in plaster, never losing his gentle humor and precision," said Ralph Fiennes, who was nominated for an Oscar for his role as Count Laszlo de Almasy, in a statement. "His films deal with extreme aloneness and the redemptive power of love, even at the moment of death. I will remember...

Author: /time Magazine | Title: Director Anthony Minghella, 1954-2008 | 3/18/2008 | See Source »

They were geniuses of not caring. When Duchamp died in 1968 it was discovered that he'd been secretly working for two decades on a complicated installation with sparkling light, an invisible motor and a nude woman made of plaster casts of body parts covered in calfskin. (She was modeled on the wife of a Brazilian diplomat in New York, with whom he'd had a long, clandestine love affair.) But for years, Duchamp, who lived in a modest, $40-a-month apartment in Manhattan's Greenwich Village, told his friends he'd given art up for chess and philosophical...

Author: /time Magazine | Title: Marcel Duchamp: Anything Goes | 2/27/2008 | See Source »

...existence. People skirt around the elephant to avoid bumping a trunk or treading on a large toenail. But, despite their game of pretending otherwise, its existence threatens to bring the whole building down. However, at other times, a person knocks down a painting or puts a hole in the plaster but blames it on the elephant. This is called playing the race card. Richard Thompson Ford’s new book, “The Race Card: How Bluffing about Bias Makes Race Relations Worse,” examines the fine line between ignoring the elephant and blaming everything...

Author: By Candace I. Munroe, CRIMSON STAFF WRITER | Title: Race Card Yields Nothing But Bad Hands | 2/22/2008 | See Source »

...Greeks, it's not so ideal. They want the marbles back, and the New Acropolis Museum is an ingenious part of their lengthy campaign to retrieve them. It will display the Greek portions of the Parthenon frieze side by side with pale plaster copies of the portions in London, like empty chairs at a banquet table. Meanwhile, the Greeks have also proposed that the British Museum might simply lend them the Elgin Marbles for the official opening of the museum later this year. There's just one problem. The British Museum insists that Greece must first recognize, formally, that...

Author: /time Magazine | Title: Who Owns History? | 2/21/2008 | See Source »

...present-day city in a different room. The more you look, the more you find. It is therefore a pleasure to find every detail of the show executed with precise care. The plastic frame holding a book’s slip-jacket is perfectly recessed into the plaster wall as it bends around a corner, for example, and the speakers which play a hopeful Latin tune about Caracas on repeat are hidden by beautiful wood grates.There are details like this everywhere through the exhibit, fingerprints left by Balteo Yazbeck’s personal touch. This is the intimacy afforded...

Author: By Alexander B. Fabry, CRIMSON STAFF WRITER | Title: A Little Piece of Balteo Yazbeck | 2/15/2008 | See Source »

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