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...threats. Air pollution has become a serious problem. And only eight years after the last restoration, finished in 1963, it became obvious that it had done more harm than good. Neglecting to test his materials first, restorer Leonetto Tintori used synthetic resins to fix the painted layer to the plaster. As the resins aged, they hardened and the wall could no longer "breathe." Without further treatment, the painted layer was likely to fall...

Author: /time Magazine | Title: Fresh Revelations | 3/25/2002 | See Source »

...south, reducing some of its Giotto frescoes to a jigsaw of tiny fragments. Under Professor Basile, the crumbled artworks were reassembled and reinstated in record time. This achievement made Basile a natural choice to direct the Scrovegni restorations. Like Giotto, who organized assistants into a production line preparing plaster layers, grinding colors and transferring sketches, Basile assembled his team. As well as Institute graduates, he recruited Gianluigi Colalucci, who was responsible for restoring the Vatican's Sistine Chapel, and Pinin Brambilla Barcilon, restoration overseer for Da Vinci's Last Supper...

Author: /time Magazine | Title: Fresh Revelations | 3/25/2002 | See Source »

...only problem might be the poor condition of the plaster; it crumbles easily when we work with it,” he said...

Author: By W. LOWELL Putnam, CONTRIBUTING WRITER | Title: Harvard Team Discovers Mayan Murals | 3/19/2002 | See Source »

Profiting from Chinese basketball ought to be a slam dunk. The fans are there; attendance at Chinese Basketball Association games has been rising steadily and is on pace to break 600,000 this season. Valuable sponsors are eager to plaster their logos on team jerseys and arena signboards. Homegrown superstars are emerging, such as rangy prodigies Hu Weidong, a crowd-pleasing Jiangsu Dragons forward, and Yao Ming, a 2.23-m windmill who regulates the paint for the Shanghai Sharks. Showtime in the CBA has all the trappings of big-time hoops. It's becoming a credible entertainment replete with thunderjams...

Author: /time Magazine | Title: Brick City | 2/25/2002 | See Source »

Mueller, too, damningly equates—or conflates—art and food. He glosses his own work: “19 fluff bunnies. Nineteen cast plaster rabbits covered with Marshmallow Fluff™. Cast-cover-drip-display-shine-sniff-distaste-desire-ad nauseum.” And true to this description, he offers a bevy of 19 frighteningly exaggerated marshmallow bunnies, perched atop cans of paint on a transparent tarpaulin. They are, to be sure, shiny and distasteful, but again this seems to be Mueller’s intent. The bunnies aren’t themselves sculptures?...

Author: By D. ROBERT Okada, CONTRIBUTING WRITER | Title: MetaArt: Constructing Self-Criticism | 2/15/2002 | See Source »

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