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...think you get the drift. By the end of that Game, I felt like Kanye West at a Taylor Swift concert, except the concert took place in the Arctic Circle and Kanye West was eaten by a polar bear...

Author: By John Song, CONTRIBUTING WRITER | Title: YALE: Why the Bulldogs Will Win on Saturday | 11/20/2009 | See Source »

...faux cinematic concoction is “Little Tortilla Boy,” an action flick starring Arnold Schwarzenegger as a street vendor trying to protect his tortilla business from the mob. The “trailer” ends with Francisco beatboxing a pounding bass while running in place in slow motion from an invisible explosion—showmanship that offers a glimpse at the sort of frenetic energy Francisco brings to the stage...

Author: By Yair Rosenberg, CONTRIBUTING WRITER | Title: Making an Impression: Francisco Creates Comedy | 11/20/2009 | See Source »

...which Ismael’s eyes are always drawn. We are reminded of “King Lear,” in which the vagina is, similarly, an entry to an unknowable—and therefore threatening—interior, a “dark and vicious place,” in Edgar’s words. In “The Armies,” Ismael’s vexed desires have long been mingled with the constant threat of violence from paramilitaries and guerrillas, as though the most effervescent expression of life—lust?...

Author: By Grace E. Jackson, CONTRIBUTING WRITER | Title: Violence Penetrates Society, the Psyche in ‘Armies’ | 11/20/2009 | See Source »

...Half Of My Heart,” a duet with country-pop it-girl Taylor Swift, surround guitar melodies with light atmospherics and layered vocals, while “Friends, Lovers Or Nothing,” “Perfectly Lonely,” and the admittedly out-of-place cover of Robert Johnson-by-way-of-Cream’s “Crossroads” indulge Mayer’s recent blues-rock tendencies with cascades of electric guitar and hard piano chords...

Author: By Zachary N. Bernstein, CONTRIBUTING WRITER | Title: John Mayer | 11/20/2009 | See Source »

...features vocals by both Grohl and Homme, although this serves only to reiterate the superiority of the latter. Grohl’s over-enthusiastic and humorless singing pales by comparison with Homme’s sophisticated sneer, and fortunately most of the album sees Grohl consigned to his natural place, behind the drum kit, providing successfully muscular, if surpisingly understated, beats. The other clear choice for a single, “New Fang,” tells a typical rock story of youthful indulgence and masculine indiscretions—“Sometimes you break a finger on the other...

Author: By Chris R. Kingston, CRIMSON STAFF WRITER | Title: Them Crooked Vultures | 11/20/2009 | See Source »

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