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...Girl of the Golden West (Metro-Goldwyn-Mayer) plasters opulent prettiness, vociferous songs and an assortment of plot cliches all over David Belasco's ancient yarn about the mad, bad days in early California. Walter Pidgeon, sheriff of Cloudy Mountain, and Bandit Chief Nelson Eddy are rivals for Jeanette MacDonald, pastel-tinted proprietress of the Polka Saloon. Eddy's dimples, wavy hair and roly-poly pinkness satisfy the popular idea of a rakehell bad man about as well as they did that of a West Point football player in Rosalie. Miss MacDonald's concession to her role...

Author: /time Magazine | Title: Cinema: Also Showing | 3/21/1938 | See Source »

...Proof (Metro-Goldwyn-Mayer). Myrna Loy, Franchot Tone, Rosalind Russell and Walter Pidgeon as four smart young people bandying sharp-eyed badinage. Even when they are seething with despair or rage, they pretend to be as gay as the late Don Marquis' mehitabel. Most frequent line: ''Don't like you." Current & Choice Wells Fargo (Joel McCrea, Frances Dee, Bob Burns: TIME...

Author: /time Magazine | Title: Cinema: Also Showing | 1/17/1938 | See Source »

Carol Layton (Jean Harlow), bright sprig of an old family of Saratoga horse fanciers, comes home from England engaged to a New York socialite named Hartley Madison (Walter Pidgeon), whose bankroll is more impressive than his sophistication. To Carol's father's crony, Bookmaker Duke Bradley (Clark Gable) this is good news indeed. He takes it for granted that Carol's only possible object in becoming affianced to a rich nincompoop is to provide financial succor for her father and his friends. Actually Duke, who falls in love with Carol, is quite right but Carol...

Author: /time Magazine | Title: Cinema: The New Pictures: Aug. 2, 1937 | 8/2/1937 | See Source »

...Paramount and Fenway Theatres are offering a double bill comprising "Early To Bed," a Charles Ruggles-Mary Boland comedy and "Fatal Lady," starring Mary Ellis and Walter Pidgeon. Not having seen either of these worthy efforts we hesitate to advance too definite an opinion of their merits. It seems fairly obvious, however, that the Ruggles-Boland affair will prove gently diverting and productive of laughs from those who find the comic strip "Mr. and Mrs." a mordant social commentary. With equal likelihood the Ellis-Pidgeon doings will add up to a well-acted romantic involvement...

Author: By S. M. B., | Title: THE CRIMSON PLAYGOER | 6/17/1936 | See Source »

...criminology and a new Joan Bennett. The criminology revolves around a private detective who found a margin of profits in his employment as a liaison between insurance companies and the underworld, from which the companies were interested in recovering stolen gems to obviate payments to their clients. Morey (Walter Pidgeon) is the private detective of Big Brown Eyes, working with an associate whose crimes include infanticide. The Big Brown Eyes are Eve's (Joan Bennett), who has been transformed from a quiet type into a slangy manicurist whose assured deportment and reconditioned make-up make her virtually indistinguishable from...

Author: /time Magazine | Title: Cinema: The New Pictures: Apr. 13, 1936 | 4/13/1936 | See Source »

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