Word: picasso
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
...tolerable. What matters is to have Bonnard in view again. He's one of those modernist masters who seem to keep slipping in and out of focus, not unlike some of the objects in his paintings. He doesn't have the commanding presence in modern art history that Picasso or Matisse has, though in some ways he was as great a painter. Each generation has to discover him for itself, and each time he's a surprise...
...gutter. Like most of the great innovators in jazz, he was a small man. But the extent of his influence across jazz, across American music and around the world has such continuing stature that he is one of the few who can easily be mentioned with Stravinsky, Picasso and Joyce. His life was the embodiment of one who moves from rags to riches, from anonymity to internationally imitated innovator. Louis Daniel Armstrong supplied revolutionary language that took on such pervasiveness that it became commonplace, like the light bulb, the airplane, the telephone...
...Cranford Glimp, the timing was never right. And the location was usually off as well. Early in the century, when young talent such as Pablo Picasso, Ernest Hemingway, Henri Matisse, Gertrude Stein and Gene Kelly flocked to Paris, making it the world capital of artistic ferment, Glimp set up his atelier in Helsinki. "The rent's cheap" was his cryptic explanation to friends and admirers who for years vainly urged him to relocate. By the time he did, Paris turned out to be occupied by the Nazis and all the cafes had switched from vin rouge to beer and spaetzle...
...young Salvador Dali, "I like the watches, but why are they all so hard? A watch should be soft." Later that day, he bumped into Henry Miller and startled him by shouting, "Your stuff is boring! Get some sex into it!" Once asked about Cubism's debt to Glimp, Picasso angrily replied, "No! No! He did rectangles, he did hexagons, maybe once or twice a polyhedron, but he never did a cube...
...Picasso was the artistic Prometheus of the century, then Pop artist Andy Warhol was its Pan. Pop is the realm where American art gave up its spiritual reach in exchange for the bounty of commerce. Warhol, more than any of his peers, was its avatar, its passive-aggressive emperor with a tapioca complexion and a pale wig, gliding through its landscape as prankster and publicist, pariah, sexual cipher, parvenu...