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SENIOR EDITORS: Lee Aitken, Charles P. Alexander, Howard Chua-Eoan, James Collins, Philip Elmer-DeWitt, Marta Fitzgerald Dorion (Operations), Nancy Gibbs, Bruce Handy, Johanna McGeary, Priscilla Painton, Barrett Seaman (Special Projects...

Author: /time Magazine | Title: Time Magazine Masthead | 12/26/1994 | See Source »

Even with a mountaineer's ax stuck in his head, Leon Trotsky (Philip Hoffman) can find nine ways to muse on life and death. And even in a 10-minute sketch, playwright David Ives can find a dozen ways to aerobicize the playgoer's brain. Six pieces in one dazzling off-Broadway evening display Ives' verbal gifts and humanist brooding. These are breathless sprints that the heart makes over the high hurdles of language...

Author: /time Magazine | Title: The Best Theater of 1994 | 12/26/1994 | See Source »

SENIOR EDITORS: Lee Aitken, Charles P. Alexander, Howard Chua-Eoan, James Collins, Philip Elmer-DeWitt, Marta Fitzgerald Dorion (Operations), Nancy Gibbs, Bruce Handy, Johanna McGeary, Priscilla Painton, Barrett Seaman (Special Projects...

Author: /time Magazine | Title: Time Magazine Masthead | 12/19/1994 | See Source »

Richard Wagner envisioned something he called a Gesamtkunstwerk -- an all- encompassing work of art -- that would meld music, poetry, drama, dance and stagecraft into one unified, glorious spectacle. The Minimalist composer Philip Glass, 57, has been inviting comparison with Wagner ever since the 1976 debut of his four-hour epic Einstein on the Beach, Wagnerian in length and scope if not in idiom; and the Wagnerian ideal has been evident in much of his later work as well -- in Hydrogen Jukebox's marriage of Minimalism to the poetry of Allen Ginsberg (1990), and in 1,000 Airplanes on the Roof...

Author: /time Magazine | Title: OPERA: Wagner Meets Cocteau | 12/19/1994 | See Source »

...script. Glass not only had to get the rights to the film, he also had to pay not to use composer Georges Auric's score; and while he secured his permissions, his act of lese-majeste has apparently upset the French, who are sensitive about their cultural icons. The Philip Glass Ensemble has not been invited to perform La Belle in France, and, what's more, not a single French critic has reviewed it elsewhere...

Author: /time Magazine | Title: OPERA: Wagner Meets Cocteau | 12/19/1994 | See Source »

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