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...knew in his youth as a champion skier. Even he compares the building to a guillotine blade--not a bad image for a building that has cut through Manhattan's architectural doldrums. For four decades, developers have crammed the skyline with featureless boxes or high-rise gimmicks like Philip Johnson's Chippendale-top Sony headquarters. Now the city faces its most important urban-design decision in years: what to put where the World Trade Center was. Abraham's little rocket of a building suggests that not only is Austrian culture alive but that maybe New York City...

Author: /time Magazine | Title: Architecture: Small Package, Big Ideas | 4/22/2002 | See Source »

...wake of recent thefts in Greenough Hall, first-years received earlier this week an e-mail warning about thefts in the Yard from Assistant Dean of Freshman Philip A. Bean...

Author: By Jenifer L. Steinhardt, CRIMSON STAFF WRITER | Title: Dean Warns First-Years About Theft | 4/19/2002 | See Source »

Assistant Professor of Education Philip M. Sadler, who heads the CFA’s science education department and teaches Astronomy 2, “Celestial Navigation,” is helping the observatory to hold events for adults and children in the Boston area in the coming weeks...

Author: By Lesley W. Ma, CONTRIBUTING WRITER | Title: Astrophysics Center To Host Stargazing | 4/10/2002 | See Source »

SCHOOL FOR SCANDAL How does an author learn to write convincing sex scenes? If she's a romance writer, she can attend a sex-writing class at the Romance Writers of America's annual convention. But what can an aspiring Philip Roth do? Ben Schrank, the author of "Consent" (Random House: March) says that the key to writing persuasive sex scenes is "learning what innuendo means, and knowing what to cut out. Readers will fill in the more provocative details." Schrank, 32, should know...

Author: /time Magazine | Title: Galley Girl: The Sex Edition | 3/22/2002 | See Source »

...suppose one might ask to whom such things matter. Well, there is an obvious answer—to me! In selecting the last examples, I am still concentrating on those I chose not to include, doting on comparisons between Rebecca Luker and Julie Andrews, between Terrence Mann and Philip Quast and between Brian Stokes Mitchell, Richard Kiley and Howard Keel...

Author: By Adam R. Perlman, CRIMSON STAFF WRITER | Title: Everybody's Got the Right | 3/22/2002 | See Source »

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