Word: phil
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...funds for 1,000 extra FBI agents. Thomas Buck, 54, a writer and longtime friend of the Berrigans', accompanied Representative William Anderson, a Tennessee Democrat and former skipper of the submarine Nautilus, on a visit to Danbury shortly thereafter. "Dan said there was absolutely nothing to it," Buck reported. "Phil, who is given to putting things in a more earthy way, said it was all bullshit...
...Roquefort the intrepid mouse, a scatsinging feline jazz band from the era of Sidney Bechet, a pair of American expatriate hound dawgs with IQs slightly lower than Corner Pyle's-and, most important, O'Malley, the alley cat. O'Malley's voice, as supplied by Phil Harris, could be poured on waffles. His inamorata, Duchess, is furnished with a Hungarian purr that could only have issued from the vocal cords of Eva Gabor. They and the rest of the players sing a number of numbers-all of them delightful, and one of them (Ev'rybody...
...After their last song. Nelson and Marmaduke left the stage quickly; the Dead's bass and rhythm guitarists, Phil Lesh and Bob Weir, wandered on stage and began to tune up by their microphones: the band's two drummers, Bob Kreutzmann and Mickey Hart, were in place and Ron McKernon (" Pigpen ") nosed around at the back of the stage. The Grateful Dead were finally ready, and they moved into " Casey Jones, " from Working-man's Dead...
...Dead, bass-player Phil Lesh is the most musically experienced. He started out as a violinist, played trumpet in the San Mateo College Jazz Band, composed electronic music, and one day picked up the electric-bass under Garcia's instruction; two weeks later he played his first concert with the Dead. On stage, he moves to and fro from stage-front to his amplifier at the back, looking cheerful, at times excited by the music. On his left, Bob Weir-tall, serious-looking-looks down at his rhythm guitar, occasionally peering across the stage from under his eyebrows...
...world farewell, surrounded by so many brave manly fronts-never mind how weak inside-much of the audience simply loses control. Ollie's father (Ray Milland), a stingy old moneybags with a dirty mind, does a heartwrenching doubletake when he hears the dire tidings. The illiterate Italian piety of Phil (John Marley) also deepens the gloom and proves the movies has at least one ethnic. But it is Ryan O'Neal who has been plucking the heartstrings and pursestrings of the ladies of America. Alas, his much discussed son Bozo turns out to be a cruel mirage, a common enough...