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Word: perier (lookup in dictionary) (lookup stats)
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Usage:

...VISITA. An ad in a lonely-hearts column brings together a small-town spinster (Sandra Milo) and a middle-aged clerk (Francois Perier), who within a single day meet, quarrel, make love and go their separate lonely ways again...

Author: /time Magazine | Title: Television: Sep. 9, 1966 | 9/9/1966 | See Source »

...Visita. Pina (Sandra Milo) is a small-town spinster with hair like yesterday's escarole and a bottom the size of a hope chest. Adolfo (Francois Perier) is a big-city bachelor with a discouraged mustache and legs like fuzzy yellow pencils. They meet after he answers her ad in a lonely-hearts column, and in this sad, hilarious, faultless little film by Italy's Antonio Pietrangeli, they begin and end in a single day the least hopeful attempt at pairing since the dish ran away with the spoon...

Author: /time Magazine | Title: Cinema: The Bind That Ties | 8/26/1966 | See Source »

Mistress No. 2 plays two compensatory roles. In the one she is a grubby little housewife who patiently swallows a sedative husband (François Perier), in the other a glamorous woman of the world who takes lovers like Dexedrine tablets...

Author: /time Magazine | Title: Cinema: Laughter Through Screams | 11/24/1961 | See Source »

...high comic style. Actress Presle portrays without pity the labored cuteness, the varicose ardors of the nymph at 40. Actress Seberg achieves exactly the right matte shade of skin, the look of slightly tainted meat that suggests and ever so slightly caricatures the girl who sleeps around. Actor Perier interprets to absurd perfection the sort of paterfamiliarity that breeds contempt. And Actor Cassel flutters across the screen with the abandon of a butterfly that, without hope of heaven, can at best expect to spend eternity in a cocktail tray...

Author: /time Magazine | Title: Cinema: Laughter Through Screams | 11/24/1961 | See Source »

...while Clement introduces his humor with admirable subtlety, he plays his horror with brutal directness. Such scenes as the washing-house fight between Gervaise and her rival (where Miss Schell tears an earring out through Miss Delair's bleeding earlobe) and the bedroom where M. Perier has vomited the results of an all-day drinking spree--photographed in careful detail--are moments the viewer would like to, but cannot, forget...

Author: By Peter J. Rothenberg, | Title: Gervaise | 3/23/1959 | See Source »

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