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The idea was mostly to bring out Langford as stroke, and see what he could do. His exhibition was acceptable, beginning at about thirty-four strokes to the minute and increasing at the last mile to about thirty-seven. The men all stood the work well, and in spite of...

Author: NO WRITER ATTRIBUTED | Title: The Yale Crew. | 5/4/1895 | See Source »

Much curiosity is felt at Yale with regard to the exercises of the coming University Commencement, which breaks for the first time with the earliest traditions of the college. The music will be more important than heretofore, since it will have a truly academic character and is not intended to...

Author: NO WRITER ATTRIBUTED | Title: Yale Commencement. | 5/3/1895 | See Source »

Even when the outlook is darkest the students should give the nine loyal, whole-hearted support. What would then perhaps be done from a feeling of duty should now be a pleasure when the outlook is bright. Every student in the University may feel a just pride in the work...

Author: NO WRITER ATTRIBUTED | Title: No Headline | 5/2/1895 | See Source »

Mr. Copeland began his varied list of subjects last evening with a brief critical sketch of Mr. Daly's revival of "Two Gentlemen of Verona." This play is one of the earliest, and not one of the best, of Shakespeare's works. The plot is so unreasonable, and one of...

Author: NO WRITER ATTRIBUTED | Title: Mr. Copeland's Lecture. | 5/1/1895 | See Source »

The hall of the Hasty Pudding Club was crowded to the doors last night at the first public performance of "Proserpina" in Cambridge. The play went off with perfect smoothness from beginning to end and the interest of the audience was not allowed to flag for an instant. The principals...

Author: NO WRITER ATTRIBUTED | Title: The Pudding Play. | 4/27/1895 | See Source »