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The Harvard Crimson: Do you think your mixed-race background is and has been a large influence in your musical style and performance over the course of your career?

Author: By Araba A. Appiagyei-Dankah, CONTRIBUTING WRITER | Title: SPOTLIGHT: Omara Portuondo | 2/23/2010 | See Source »

The two symphonies, often pointed to as the first flowering of Beethoven’s full Romanticism, are suffused with an emotional variety and exuberance that often gets suffocated under the reverence bestowed upon them as artistic milestones. An institution as well established as the BSO and a conductor as...

Author: By Spencer B.L. Lenfield, CONTRIBUTING WRITER | Title: BSO Plays Third and Fourth, Comes Out First | 2/23/2010 | See Source »

Certain performance numbers, however, are downright spectacular, like the well-known tune “I Just Can’t Wait to be King,” which features 18-foot high tent-like giraffe neck-puppets that bow and bend to the audience, even nuzzling a few lucky...

Author: By Clio C. Smurro, CRIMSON STAFF WRITER | Title: 'Lion King' Tour Reigns Supreme | 2/23/2010 | See Source »

In contrast, performances from the standard repertoire, like the Beethoven symphonies, offer dozens of ways to lapse into ceremonious inauthenticity. The audience, aware that they are listening to a top orchestra under a celebrated conductor performing the masterworks of one of the greatest composers, strains to rise to the occasion...

Author: By Spencer B.L. Lenfield, CONTRIBUTING WRITER | Title: BSO Plays Third and Fourth, Comes Out First | 2/23/2010 | See Source »

The emotional gamut spanned by the “Eroica” gave it the flavor of a show piece, but that never cheapened it—in fact, the extra swagger affected by the BSO is really something missing from other interpretations. Sterling solo and ensemble work in the...

Author: By Spencer B.L. Lenfield, CONTRIBUTING WRITER | Title: BSO Plays Third and Fourth, Comes Out First | 2/23/2010 | See Source »

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