Word: peering
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Dates: during 1990-1999
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...condom education session itself proved to be as sterile as a "Leave It To Beaver" special. Peer educators (meaning high school kids) training their classmates handed out an innocuous looking ditto: "How to Use a Latex Condom Properly." The sixth of 12 steps reads, "Place condom on erect penis prior to any contact." Step 7: "Roll condom down to base of penis." Step 9: "After ejaculation hold condom at base of penis and withdraw slowly before erection is lost." Gotta love that class instruction--reading, writing and wrist action...
...answers to these questions are not to be found in the demonstrations of any peer educators. They haven't thought of such things. Students engaged in such "training sessions" in high schools or on this campus are doing nothing less than initiating their peers into a realm of sex which, as presented, can be nothing less than abusive. According to such groups, unhinged sexual passion is more than hedonistic satisfaction--so long as a condom is worn...
...early July, it would have seemed sheer fantasy to think that in four months, all sides would be meeting with a real cease-fire in effect and at least the broad outlines of a settlement agreed on. But it was precisely because all concerned were forced then to peer into a terrifying abyss that they began pulling back from the brink...
...first part of the school's plan is a peer review process, begun a few years ago, that will periodically evaluate all faculty member...
...concert's second half continued the Ellington/Marsalis theme. Obscure Ellington tunes such as "The Giddybug Gallop" and "Anitra's Dance" from the Peer Gynt Suite preceeded the most impressive moment of the evening, "Jack the Bear." Ellington's double bass feature for Jimmy Blanton was competently played by bassist Ben Wolfe. However, the cameo appearance of pianist Marcus Roberts proved to be the highlight of the tune. Roberts stretched the harmonies of his blues choruses with Monkish lines, piano runs reminiscent of Ellington's "Ko-Ko" and an unparalled rhythmic concept. Following Roberts, Marsalis introduced LCJO's vocalist Milt Grayson...