Word: pedro
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Tomorrow night the Palme d'Or and Cannes' other prizes will be handed out. The morning line of speculation from the critics had Pedro Almodóvar's Volver and Alejandro González Iñárritu's Babel holding as the frontrunners, with Nuri Bilge Ceylan's Climates as an honorable compromise candidate. But we know nothing. All the awards are chosen by the nine-member Jury headed this year by Hong Kong auteur Wong Kar-wai, and they're not talking...
...critics convened by the daily Cannes edition of Screen International, gave Marie Antoinette four palms, the highest rating. The critic for Les Echoes called it "a superb film," and the one for Le Figaro said it was "prettily filmed." The French website Romandie.com pegged the Coppola movie, along with Pedro Almodôvar's Volver and Alejandro González Iñárritu's Babel, as one of the top three contenders for the Palme...
...Adequate" sums up the Festival's offerings so far. No films yet have reaped unanimous critical acclaim. A few name directors are thought to have been coasting (Pedro Almodóvar's Volver) or tailspinning (Richard Linklater's Fast Food Nation) with their latest works. Some directors of promise, like the Turk auteur Nuri Bilge Ceylan with his Climates, have brought works earning mild applause. We see and we shrug...
...Volver, which means "return," is an apt title for a movie that marks a return both to Pedro's early, realistic melodramas and to the plot of All About My Mother. In both movies, an important male character dies violently in the first 20 mins.; the story then traces the lead female character's reliance on other women to get through difficult times, even as she helps them. There are differences, of course. The earlier film defined motherhood as nurturing life; the new one adds to that the mission of angelic vengeance, in which women determine that the sexual sins...
...pleasure - mine, anyway - to come to Cannes knowing that, every two years, Pedro can be counted on to bring another splendid film. Is Volver a masterpiece? Probably not. But it is the work of a master still at the peak, the high plateau, of his form...