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Starting off with a good production of Beaumarchais' Marriage of Figaro, which toured all seven Houses and the Union, the HTG reached its peak in April, 1951, with a compelling production of Kingsley's Darkness at Noon, which had a run in Sanders simultaneously with the play's Broadway run. Resourceful designer David A. Hays '52 coped with the inadequacy of Sanders by constructing his sets on two revolving stages. The show was rightly described as "undoubtedly the finest undergraduate drama presented at Harvard in more than two years...

Author: By Caldwell Titcomb, | Title: College Post-War Student Theatre: 332 Shows Staged by 47 Groups | 10/2/1958 | See Source »

...rate, the "renaissance" was well under way. The HDC reached its post-War peak in the spring of 1956 with its Sanders arena production of Miller's Death of a Salesman. This was an absolutely top-notch show of extraordinary depth and polish--fully the equal of any professional production the play has ever...

Author: By Caldwell Titcomb, | Title: College Post-War Student Theatre: 332 Shows Staged by 47 Groups | 10/2/1958 | See Source »

Weld concluded that the whole trip was "a wonderful experience for all of us," both the tennis and the socializing. The team was not always in peak condition because of the many parties, and, as this year's varsity captain remarked, "Often we'd meet their drinking team and then their tennis team...

Author: By Walter L. Goldfrank, | Title: Egg in Your Beer | 9/30/1958 | See Source »

...untrustworthy, melancholy rummy-brilliant lawyer and all that, but essentially a tosspot. Bogarde flips his banister's wig over happily married Lucic, and from then on, both sides of the English Channel are awash in his nobility. Director Ralph Thomas leaps like a mountain goat from peak to peak: Lucie's love for Charles Darnay, the revolutionary mobs swarming in the streets of Paris, and finally Sydney Carton's self-sacrificing death to save Darnay. But inevitably the film must miss many of the deeper shadows between the peaks...

Author: /time Magazine | Title: Cinema: The New Pictures, Sep. 29, 1958 | 9/29/1958 | See Source »

...whether they could commit themselves so heavily, that it had accepted less than the required 5% margin in some cases. Actually, the firm's part in the bond slide was small. It financed only about 3% of the $10.3 billion marketed by the Treasury at the peak of activity. Though Wall Streeters feel that Garvin was singled out among many Street houses that did the same thing, they expect the case to bring tighter regulations, thus prevent any recurrence of speculative dumping...

Author: /time Magazine | Title: WALL STREET: Bond Blame | 9/29/1958 | See Source »

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