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...with a small car called the Cardinal, but withdrew it within a few months of production because of fears that the market would not then support a new line. By 1966, however, it was clear that U.S. compacts were losing considerable ground to imports. The Falcon, which reached a peak of 493,000 sales in 1961, was down to 163,000 that year-and to even less in 1967. At a meeting of Ford's new-products group in the "Glass House," the company's Dearborn headquarters, lacocca decided that it was time to move. Chairman Henry Ford...

Author: /time Magazine | Title: Business: THE MAKING OF THE MAVERICK | 3/21/1969 | See Source »

...most exciting. It opens with movies of Cambridge projected on the white backdrop. First is a film of Hilles Library, speeded up many, many times so that the people in it tear up and down the stairs with greater energy and bustle than the Keystone cops at their peak. This sequence gives way to one filmed outside Memorial Hall, also speeded up many times. The dancers than come on stage, their movements exaggerated and fast. The music continues loud and rapid, and the audience is suddenly caught up in this frenzied, hell-bent, crash-course ritual we all know...

Author: By Nicholas Gagarin, | Title: AIR | 2/28/1969 | See Source »

...guitar and sang about everything from bad women to Boll Weevils and droughts. Many of the songs of these people are sung by such contemporary supergroups as Cream, who have done Johnson's "Four Until Late," and "Crossroads" and James' "I'm So Glad." This Blues style reached its peak of popularity in the 1920's and 30's. Though many of the Blues men of this era are dead, their music was revived in the late fifties and early fifties during the folk music area, being copied by people like Tom Rush, John Hammond, John Fahey, Dave Van Ronk...

Author: By James C. Gutman, | Title: B.B. King Is King of the Blues--Black Music That Whites Now Dig | 2/27/1969 | See Source »

This music is raw, rude and visceral and is delivered with relentless power. Yet in its own way it reflects the hard, fast, brutal realities of the modern urban ghetto which produced it. This music reached its peak in the late fifties and early sixties when Bluesmen like Elmore James, Sonny Boy Wiliamson, The Muddy Waters Band, B. B. King and others sold thousands of records in the black ghettos of the North and dusty darktowns of the South. Depits its success in black communiites, it was considered too raw, earthy and sexual for the white teenage audience...

Author: By James C. Gutman, | Title: B.B. King Is King of the Blues--Black Music That Whites Now Dig | 2/27/1969 | See Source »

...efforts to reduce turbulence, Whitcomb finally hit upon the design for what NASA now calls the "supercritical wing." To reduce the peak airflow speed and move the shock wave farther back on the wing, he drastically flattened the curvature of the upper wing surface. To compensate for the loss of lift that resulted, he increased the curvature near the wing's trailing edge and put a concave contour on the underside. "Some people think that I merely turned the wing upside down," Whitcomb says...

Author: /time Magazine | Title: Aeronautics: The Upside-Down Wing | 2/21/1969 | See Source »

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